(Hardback)

A sound track of Germany in the early twentieth century might conjure military music and the voice of Adolf Hitler rising above a cheering crowd. Brian Currid challenges this reductive characterization by investigating the transformations of music in mass culture from the Weimar Republic to the end of the Nazi regime.

(Paperback)

A sound track of Germany in the early twentieth century might conjure military music and the voice of Adolf Hitler rising above a cheering crowd. Brian Currid challenges this reductive characterization by investigating the transformations of music in mass culture from the Weimar Republic to the end of the Nazi regime.