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"First published by Edward Arnold 1924."--title page verso.

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Visiting Florence with her cousin Charlotte as a chaperone, Lucy Honeychurch meets the unconventional, lower-class Mr Emerson and his son, George. Upon her return to England, Lucy becomes engaged to the supercilious Cecil Vyse, but she finds herself increasingly torn between the expectations of the world and the yearnings of her heart.

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An analysis, in which, the author rejects the 'pseudoscholarship' of historical criticism - 'that great demon of chronology' - that considers writers in terms of the period in which they wrote and instead asks us to imagine the great novelists working together in a single room.

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Written during 1913 and 1914, Maurice deals with the then unmentionable subject of homosexuality. More unusual, it concerns a relationship that ends happily.

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Before deciding whether to marry Chandrapore's local magistrate, Adela Quested wants to discover the "real India" for herself. Newly arrived from England, she agrees to see the Marabar Caves with the charming Dr Aziz. This adaptation explores the absurdity of Anglo-Indian life in the 1920s.

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A chance acquaintance brings together the preposterous bourgeois Wilcox family and the clever, cultured and idealistic Schlegel sisters. As clear-eyed Margaret develops a friendship with Mrs Wilcox, the impetuous Helen brings into their midst a young bank clerk named Leonard Bast, who lives at the edge of poverty and ruin.

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Considered by many critics to be Forster's finest novel, Howards End has average 6,200 copies a year in sales in the rack-size edition.

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A collection of stories of the author whose stories - whether they are set in Italy, Greece, India, or in England itself - contrast the freedom of paganism with the restraints of English civilization, the personal, sensual delights of the body with the impersonal, inhibiting rules imposed by society.

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