(Paperback)

This book is the first in-depth study of the Gothic on television. It defines and explores key instances of the genre across the history of television drama in the UK and US. The book builds a strong argument for the fact that the Gothic, in its various guises, is well-suited to television as a domestic medium. -- .

(Hardback)

This book is the first in-depth study of the Gothic on television. It defines and explores key instances of the genre across the history of television drama in the UK and US. The book builds a strong argument for the fact that the Gothic, in its various guises, is well-suited to television as a domestic medium. -- .

(Paperback)

Presents a reassessment of both methods and practices in television historiography and of assumptions and critical common places about television history itself. This book focuses on debates about the canon, on texts, on production and institutions, on viewers, and the interconnections between these distinct areas.

(Paperback)

Helen Wheatley answers the questions: what is televisual pleasure, and how has television defined its own brand of spectacular aesthetics