There have been some developments in the nature of collaboration between artists and architects and in the approaches taken by artists making work intended for public spaces. This book explores the proliferation of pioneering work by both artists and architects that seeks to blur traditional boundaries between the two fields.

Shows what happens when discussions concerning situatedness and site-specificity enter the writing of art criticism. This title explores the sites such as the material, emotional, political and conceptual settings of the artwork's construction, exhibition and documentation, as well as those remembered, dreamed and imagined.

(Paperback)