(Paperback)
By: Jerome Silbergeld
ISBN: 9780691148601
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Readership/Audience: Tertiary Education
Publication Date: Jan 2011
Publisher: Princeton University Press
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What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans This book challenges the artificial and narrowly conceived definitions of Chinese art, revealing the great diversity of Chinese art and showing just how complex and uncertain the labels 'contemporary', 'Chinese', and 'American' have become.
(Paperback)
By: Jerome Silbergeld
ISBN: 9780691139463
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Readership/Audience: Tertiary Education
Publication Date: Nov 2008
Publisher: Princeton University Press
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"In the Heat of the Sun" and "Devils on the Doorstep" are two of the finest and most honored Chinese films ever made. This title examines these works. It uses cinema and photography, political history, anthropology and philosophy, Chinese rhetorical traditions, and concepts of justice to explore the films' visual complexity and intellectual force.
(Hardback)
By: Jerome Silbergeld
ISBN: 9780691152981
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Readership/Audience: Tertiary Education
Publication Date: Feb 2012
Publisher: Princeton University Press
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Offers a contribution to the study of the arts of East Asia. This book features the essays that address a range of subjects, building bridges in many directions, from early jades and bronzes through traditional painting and prints, to photography, cinema, and modern museum practice.
(Paperback)
By: Jerome Silbergeld
ISBN: 9781861890504
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Readership/Audience: General
Publication Date: Nov 1999
Publisher: Reaktion Books
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Since 1984, Chinese cinema has been the most dramatic entry onto the international film scene. China into Film is the first book to look at contemporary Chinese cinema as a visual art and to illustrate the ways in which it has been shaped by centuries of Chinese tradition.
(Hardback)
By: Jerome Silbergeld
ISBN: 9780691158594
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Readership/Audience: Tertiary Education
Publication Date: Oct 2013
Publisher: Princeton University Press
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The family model has been central to patterns of social organization and cultural articulation throughout Chinese history, influencing all facets of the content and style of Chinese art. With contributors drawn from the disciplines of art history, anthropology, psychiatry, history, and literature, this volume explores the Chinese concept of family
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