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Investigates how British history plays since 1956 reflect the methods and values of New History, including Marxism, Social History, Feminism, Deconstructionism, and Postmodernism.

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Palmer clearly states that his purpose is to explain 1the ways of critics to theatre practitioners, the ways of theatre to inexperienced reviewers, and the dynamic convergence of theatre and critic to anyone interested in theatre.' .

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By examining both tragedy and the theoretical responses to tragedy, this study demonstrates that the definition of tragedy depends on the meaning perceived by an audience rather than on a structured stimulus independent of response;