(Paperback)

Willem de Kooning was a pioneering figure among Abstract Expressionists, one of the most influential champions of the dynamic, process-driven painting that brought NewYork to the centre of the art world in the 1950s. This essay accompanies each work, illuminating its significance and placing it in its historical moment.

(Hardback)

The most comprehensive and up-to-date survey of Brandts work on the market today.

For over a decade the German photographer Michael Wesely has been inventing and refining techniques for using extremely long camera exposures to take compelling images, often prolonging the exposure many thousands of times longer than normal. The results are as surprising as they are beautiful.

The Museum of Modern Art in NewYork, founded in 1929, has helped to bring the history of modern art to vivid life through its unparalleled collection of late-19th and 20th-century painting and sculpture. This title presents an overview of the Museum's painting and sculpture collection.

(Hardback)

In August of 1974, the author made a group portrait of his wife, Bebe, and her three sisters. In 1975 he made another portrait of the four, who then ranged in age from 15 to 25. The women have gathered for an annual portrait ever since. This title celebrates the fortieth anniversary of the series in 2014, featuring all the forty portraits.

(Paperback)

For his third project, "Figure 3" Paul Sietsema takes as his inspiration a collection of indigenous ethnographic objects found in various locations. This book brings together a comprehensive study of the film and related objects, which together explore ideas of cultural production and the relationships between drawings, materiality and film.

(Hardback)

Highlights the work of twelve masters of 20th-century art: Constantin Brancusi, Alexander Calder, Giorgio de Chirico, Marcel Duchamp, Jasper Johns, Fernand Leger, Henri Matisse, Joan Miro, Piet Mondrian, Pablo Picasso, Jackson Pollock and AndyWarhol.

(Hardback)

Published to accompany the first retrospective of her work in a US museum since 1973, at The Museum of Modern Art, this title considers Sturtevant as a uniquely American artist, with political concerns inflected specifically by her upbringing and adult life in the US.

(Hardback)

By looking closely at works in a range of media, the catalogue shows how these long-established categories have expanded and transformed from Post-Impressionism to Photorealism, reflecting changes in our conceptions of individuals, objects and spaces.