(Hardback)

(Hardback)

(Hardback)

Inspired by a semi-autobiographical book by the mid-20th century German printmaker HAP Grieshaber, the author has used Grieshaber's idea to create a story of fifty years as a printmaker. He includes interviews with his printers and memories of his life around the prints he made at that time.

(Hardback)

"The winter in L.A. that year was kind of a 'grey July.' Diana and I lived at 234 Entrada Drive in January and February of 2001. These photographs are a memoir of what our eyes saw in our garden and when we walked to the Pacific Ocean. We also [rode] into the Santa Monica Mountains on our bicycles, crossing Sunset Boulevard just where it goes into Pacific Palisades..."

(Paperback)

Using dense charcoal and dripping washes, this book depicts the sinister edge to Carlo Collodis story and Pinocchios isolation in the author's quest to become a real boy. It presents the his portrait of Gerhard Steidl, an ambitious suite of nine drawings made by the artist in his Gottingen studio.

(Hardback)

(Paperback)

Jim Dine is commonly seen as a prolific painter, printmaker and photographer whose central practice is drawing. This book shows that sculpture is just as important in his oeuvre. It lets us discover Dines favourite motifs: hearts, tools, skulls, and Pinocchio, as well as Classical sculpture in the form of Venus de Milo and Winged Victory.

(Hardback)

(Paperback)

From 1978 to 1987, Sternfeld set out to explore and photograph the country. Working largely on the interface between town and country, he photographed ordinary scenes and people, discovering the extraordinary within them, making a study of the American character and condition.

(Hardback)

Martin Parr and John Gossage's British coastal trip covered spots like Georgian Clifton (Bristol), Severn Bridge (Wales), and Caerau, the mining village near Cardiff where photographer Robert Frank had made his famous report and met the miner Ben James in 1953. This book includes shots of street scenes, and testimonies.

(Hardback)

(Hardback)

(Paperback)

Juergen Teller's new book features black and white stills from a video film showing him while he watches the 2002 World Cup Final between Germany and Brazil, live. Included are also other self-portraits, together with shots of football celebrities and images of Teller's family, among them one of his mother at his father's grave.

(Hardback)

Juergen Teller carried out a study of the "Reichsparteitagsgelande". The results amount to a study of mortality, the process of birth, growth and death. This book combines these works with self-portraits and family photographs through the same period, adding the perspective of the personal and quotidian life cycle.

(Paperback)

(Hardback)

Unlike many photographers who maintain a strict divide between their commercial and private work, the author has always combined the two. This book contains the photographs of author's life at and around his house in Suffolk: landscapes, portraits of family and friends.

(Hardback)

Juergen Teller has taken photographs of company employees, his uncle and his uncle's collection of hunting trophies. He has also shot pictures in dripstone caves, of Kate Moss during her pregnancy and of himself. In the world of Juergen Teller, it somehow all fits together. How it all fits together is left up to the viewer.

(Paperback)

(Hardback)

Traces the physical and emotional development of Brad Kroenig, once an unknown but now one of the worlds sought-after male model. This book explores Kroenigs evolution from a young All American Boy into a professional model conscious of the subtleties of facial and corporeal expression.

(Hardback)

(Hardback)

Documents author's life in New York City's East Village during its heyday in the tumultuous 1980s.

(Hardback)

Joseph Beuys was photographed extensively during his life, whether at work, while travelling, or at home. Graphic artist Staeck and printer/publisher Steidl accompanied Beuys with their cameras from 1970 until his death in 1986. This title presents these photographs.

(Hardback)

Features black-and-white photographs that conspicuously favor close-up depictions of details as opposed to general views: leftover items, barbed wire fences, spacious dormitories viewed through a spyhole, the key in the lock to Mandela's cell which is so tiny it cannot be taken as a whole.

(Hardback)