(Hardback)

Tells the history of photography through a collection of photographs at The Museum of Modern Art. This publication charts the medium during the height of the modernist period, from 1920 to 1960. It begins with an in-depth introduction followed by seven chapters of fullcolor plates, each introduced by a short essay.

(Hardback)

The Museum of Modern Art has one of the greatest collections of twentieth-century photography in the world. This publication comprises a catalogue of post-1960s and a perspective on the artists working with the photographic medium of the late twentieth and early twenty-first centuries.

(Paperback)

Identical twins Stephen and Timothy Quay are internationally renowned moving image artists and designers for over thirty years have been in avant-garde of stop-motion puppet animation. This title presents their better known films as well as previously moving image works and including graphic design, drawings, typography and notebooks for films.

(Paperback)

(Paperback)

An exploration of architecture, urbanism, Blackness and antiBlack racism in the United States. Featured projects and texts reimagine how individuals and communities have mobilised Black cultural spaces, forms, and practices as sites of imagination, liberation, resistance, and refusal

(Paperback)

(Paperback)

Published to accompany a retrospective of Ron Arads work in the US, this catalog features an interview with the artist and essays on his use of innovative materials and technology, his role as an educator and communicator on the importance of design, and his place in the larger design and art market.

(Paperback)

This in-depth study by curators Cherix and Adler expands the understanding of Saar's early career and casts light on all that followed. Drawing on new research into the work's construction and materials, and on firsthand discussions with the artist, this concise, generously illustrated volume explores one of Saar's best-known and most iconic works.

(Hardback)

A feminist, activist, video and performance pioneer, Sanja Ivekovic (born Zagreb, 1949) produced works of crosscultural resonance that range from Conceptual photomontages to video, installation and performance. This title presents an overview of the artist's projects from the early 1970s to 2010 in various mediums.

(Hardback)

When The Museum of Modern Art first opened its doors on 8 November 1929, it was considered a radical experiment. The museum is one of the leading institutions of its kind in the world, with an unrivalled collection of modern and contemporary art. This book features cartoons spanning the museums history.

(Paperback)

A guide to the mediums visual language through works by such early masters as Atget, Cartier-Bresson, Evans, Strand and Weston. It contains 172 illustrations that reveal the range of the photograph from the early days of the mediums development to the mid-1960s.

(Paperback)

Drawn from a wide range of scholarly and artistic disciplines, this book offers a multi-disciplinary debate on the future of design and design institutions in the postindustrial era.

(Paperback)

New York artist, Vija Celmins, made many images of the night sky - paintings, drawings, and prints of gorgeous richness. Here, she and her collaborator, the essayist and translator Eliot Weinberger, devote an artist's book to the theme.

(Hardback)

(Hardback)

(Hardback)

Is it possible to speak of a contemporary art with an Islamic difference This question will be the subject of an exhibition that brings together artists who come from the Islamic world. Tapping into certain aesthetic, political, and spiritual notions, this book seeks to highlight the nuanced reactions of each individual artist.

(Paperback)

The Adam Pendleton: Who Is Queen reader will serve as a primer and handbook to the exhibition and will be compiled of photocopied textual sources. Who Is Queen brings together text and imagery that foregrounds the relationship between abstraction and politics.

(Paperback)

Published in conjunction with the exhibition Adrian Piper: a synthesis of intuitions, 1965-2016 at the Museum of Modern Art, New York, March 31-July 22, 2018.

(Paperback)

By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Dutch artist Aernout Miks creates works that are rich in allusion but subversive of codes. This title explores Miks work and process. It discusses the creative aspects of Miks installations that extend the traditional boundaries of media.

(Hardback)

A focused look at one of the most well-known and beloved artists of the 20th century through the lens of his relationship with MoMA

(Hardback)

Looks at The Museum of Modern Arts holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the 20th century.

(Hardback)

This expansive collection of essays on nearly 200 works in the collection of the Museum of Modern Art is the first substantial exploration of MoMA's uneven historical relationship with black artists, black audiences, and the broader subject of racial blackness.

(Paperback)

Beginning in 2009, The Museum of Modern Art offered a weekly series of film screenings titled An Auteurist History of Film. For the five years that the series was presented, film curator Charles Silver wrote a concise post to accompany each screening. This title collects these posts and brings together Silver's readings of the series' films.

(Hardback)