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This is a desk reference for academic and public library music reference collections as well as for music professionals. The more than 250 books discussed represent a core bibliography on this late 20th-century phenomenon of "electronic" and "computer" music.

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The first bibliography devoted to a single jazz genre or era, Fire Music is concerned with the music of the jazz avant-gardists such as John Coltrane, Ornette Coleman, Cecil Taylor, and Sun Ra.

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For the flutist wishing to perform music composed by women, this annotated catalog will come as a most welcome addition to the numerous flute bibliographies now available. It contains works for solo flute, duets, flute and piano, concertos, woodwind quintets, other chamber ensembles, or any work that employs soloistic use of the flute.

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The form and analysis treatises chapters include publication, original language, English translation, reprint, and bibliographic information for book-length works (including master's theses and doctoral dissertations) that deal with questions of musical form and musical analysis in a significant way.

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An introduction to a new way of modeling musical surfaces for theorists and for generating precompositional relationships for composers, this unique music theory reference work introduces, classifies, and enumerates graph theoretical models for musical transformations in compositional and analytical applications.

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A practical guide for guitarists searching for new repertoires including women composers. The book lists musical works by instrumentation and features biographies of each composer.

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Presenting detailed bibliographic information on all aspects of harmony in music, with the broadest possible historical and stylistic palette, this work includes over 2,600 total citations. The sources range from treatises, dissertations, and textbooks to journal articles and book reviews, and are cross-referenced and indexed.

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The final section contains alphabetical entries for more than 1,200 artists.

In addition to biographical data, the entries list references to sources cited earlier in the volume, autobiographies and biographies, publications by the performers, related works, and compilations of memorabilia, scores, and reviews.

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Jazz artists, as defined by Carner, are those who have made their mark as jazz performers and who have led the jazz life, playing the clubs and joints, not the legitimate concert stage, Broadway, Las Vegas, or the like.

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Following the pattern established with his pioneering works String Music of Black Composers and Woodwind Music of Black Composers, Aaron Horne now presents a comparable work for the piano and related instruments (such as accordion, harpsichord, and organ).

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Designed to aid the student, librarian, teacher, or professional singer, this annotated bibliography provides access to more than 500 books, journals, and electronic resources.

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An important new reference source for students of western musical culture, this volume directs the user to all pertinent, substantive, and accessible information concerning the life and works of Sir Michael Tippett, widely recognized as one of this century's most significant composers.

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This communications protocol allows computers to send, receive, and store digital information generated by various electronic musical instruments. The appendix contains information on associations involved with the musical applications of personal computers and brief descriptions of several popular online services.

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The goal of this bibliography is to advance the playing and listening enjoyment of works written for two or more players at the clavichord, harpsichord and organ - individually or combined.

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This annotated chronology contains material concerning the background, philosophy, theory, notation, style, manuscript sources, theoretical sources, classes of music, composers and instruments for the period from 1425 to 1520, the first part of the Renaissance.

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Foreign words, parts of the liturgy of the Roman Catholic church, musical terms, titles of theoretical works and musical manuscripts, and names of composers, theorists, and places of interest are defined in the section entitled Definition and Pronunciation.

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Presenting detailed information about 14 standard anthologies, this useful music reference tool lists all excerpts and complete compositions, provides information concerning the type of score presented, and includes an index of composers and sources as well as an index of complete compositions and movements.

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Following the introduction are four chapters cataloguing original works for the right hand alone, original works for the left hand alone, music arranged or transcribed for one hand alone, and concerted works for one hand in concert with other pianists, instruments, or voices.

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This reference lists operas released as motion pictures. It covers theatrical feature films on 35mm film, educational films on 16mm film and videorecordings, including the VHS videotape format and optical video laser disc. Citations to reviews are included from over 22 sources.

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This companion volume to Opera Mediagraphy: Video Recordings and Motion Pictures (Greenwood, 1993) indexes opera singers on video and film in concert, recital, and non-operatic feature film and includes VHS videotape, optical video laser disc, CD-ROM, and DVD recordings.