(Hardback)

(Hardback)

(Hardback)

Brings togeather a body of photographs which Robert Frank made in Paris in the early 1950's. The 80 photographs selected in this book suggest that Frank's experience of the new world had sharpened his eye for European urbanism.

(Paperback)

What do you know about water Only that its everywhere differently. In 2000 Roni Horn published "Another Water", an examination of the water of the River Thames through extensively footnoted photographs. This title includes an edit of the photographic aspect of the work.

(Hardback)

A culmination of photographic series of taxidermied Icelandic wildfowl. It includes photographs of birds which are viewed from behind, their unique physiognomies and markings resulting in shapes and patterns on the photographs surfaces. It presents birds in pairs and highlights the differences and similarities between the two.

(Hardback)

(Paperback)

(Hardback)

Consists of four volumes and unites a vast collection of amateur photographs assembled by filmmaker Sebastien Lifshitz over the last twenty years. Found at flea markets all over the world and in photo galleries or on the Internet, they are divided into four themes: the uncanny, empty places, blurs, and beachsides.

(Hardback)

Features work of a young Japanese artist, whose complex collage-like drawings and sometimes surreal, sometimes disturbing compositions are made almost entirely by hand.

(Hardback)

Merges traditional documentary techniques and imagination to create a dark visual narrative portraying Australia with a mix of nostalgia, romanticism and brooding realism. This book tells the story of human anxiety and intensity which, although told from Australia, represents a universal human condition in the world today.

(Hardback)

Walker Evans was one of the important and influential artists of the twentieth century, who produced a body of photographs that continues to shape our understanding of the modern era. Evans worked in every genre and format, in black and white and in color, but two passions were constant: literature and the printed page. This book tells his story.

(Hardback)

Chromes effortlessly traces the themes and subject matter which became Egglestons signature. Ultimately, it points to the way his eye saw images in a broader scale, which led to his unrivalled knack at creating a balanced composition out of seemingly random unconnected objects. Wallpaper

(Hardback)

Contains the definitive edit of William Eggleston's celebrated Los Alamos series, and closes a fascinating photographic story that began in the mid-1960s.

(Hardback)

(Hardback)

The photographs that Chris Killip made in Northern England between 1973 and 1985 were first published by Secker & Warburg in the book In Flagrante in 1988. This new edition showcases a single image on the right side of each double-page spread.

(Hardback)

(Hardback)

With the eye of a painter, Guy Bourdin created images that contained fascinating stories, compositions and colors. He radically broke conventions of commercial photography with a relentless perfectionism and sharp humor. This book explores his work so far.

(Hardback)

Originally called Images a la Sauvette, this title is a meticulous facsimile of the original book. It assembles the author's best work from his early years.

(Paperback)

(Hardback)

Presents the iconography of Saul Leiter's early black-andwhite photographs stems from his profound response to the dynamic street life of New York City in the late 1940s and 50s.

(Hardback)

Although Edward Steichen had exhibited some of Leiter's color photography at the Museum of Modern Art in 1953, it remained virtually unknown to the world thereafter. This book deals with this work.

(Hardback)

Fed by recent discoveries from Saul Leiter's vast archive, this title provides an in-depth study of the nude, through intimate photographs of the women Leiter knew. It features black-and-white images that reveal the unique collaboration between Leiter and his subjects.

(Hardback)

(Hardback, 50th Anniversary Edition)

First published in France in 1958, then the US in 1959, this title features eighty-three photographs that looks beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians, and rendered numb by a rapidly expanding culture of consumption.