(Paperback)

This monograph provides novel methods for writing transnational South Asian art history outside of genealogy. -- .

(Hardback)

This monograph provides novel methods for writing transnational South Asian art history outside of genealogy. -- .

(Hardback)

This volume features new research by an international group of scholars on Russias historic relationship with Asia and the ways in which it was mediated and represented in the fine, decorative, and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule.

(Paperback)

This volume features new research by an international group of scholars on Russia's historic relationship with Asia and the ways in which it was mediated and represented in the fine, decorative, and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule.

(Paperback)

Screen/Space is a collection of nine essays exploring developments in contemporary art informed by re-readings of the history of modernist exhibition design, experimental film festivals and key works in the history of structural and expanded film. -- .

(Paperback)

Questioning what the term Chinese art means in the era of global art, this book situates Chinese contemporary art in the matrix of global expositions and political transnationalisms. Its case studies explore the changing political concept of Chineseness by examining performative, body-oriented video and eco-feminist works.

(Hardback)

Questioning what the term 'Chinese art' means in the era of global art, this book situates Chinese contemporary art in the matrix of global expositions and political transnationalisms. Its case studies explore the changing political concept of Chineseness by examining performative, body-oriented video and eco-feminist works. -- .

(Hardback)

This book presents examination of queer and feminist alternative art spaces in Canada and the United States from the late-1960s to the present. It explores how queer and feminist artists have responded to the institutions and histories they have inherited.

(Hardback)

What happens when you touch or enter an artwork instead of looking at it As artists since the 1950s have increasingly sought to involve viewers more actively in their artworks, this critical anthology sheds light on the nature of these new forms of participation and their historical, social and political significance. -- .

(Paperback)

Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' -- .

(Paperback)

This book synthesises a variety of approaches to the visual, drawn from politics, theory, feminism and activism, in order to provide the blueprint for an ecocritical art history. -- .

(Hardback)

This book synthesises a variety of approaches to the visual, drawn from politics, theory, feminism and activism, in order to provide the blueprint for an ecocritical art history. -- .

(Paperback)

Sheds new light on the relevance of the visual in medical and scientific cultures, and on the relationship between artistic and medical practices and imagery. -- .

(Hardback)

Sheds new light on the relevance of the visual in medical and scientific cultures, and on the relationship between artistic and medical practices and imagery. -- .

(Hardback)

Examines knowledge production and its visual and material background, combining the perspectives of media history with art history and the history of science. -- .

(Hardback)

Examines how seventeenth-century English architectural theorists and designers rethought the domestic built environment. -- .

(Paperback)

Sheds light on artistic production and the emergence of contemporary art in Armenia from the ruins of the socialist utopian project and the failure to realise the romanticised consumerism of the capitalist West. -- .

(Hardback)

Sheds light on artistic production and the emergence of contemporary art in Armenia from the ruins of the socialist utopian project and the failure to realise the romanticised consumerism of the capitalist West. -- .

(Hardback)

This book engages with the historical paradigm of contemporary art by examining a programme initiated in Eastern Europe by the Hungarian-American billionaire George Soros in the 1990s. The Soros Centers for Contemporary Art played a leading role in popularising the norms and conventions of contemporary art throughout the region.

(Hardback)

Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-case 'c'). -- .

(Paperback)

Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-case 'c'). -- .

(Paperback)

There is no soundtrack amplifies new and radical audio-visual relationships in experimental media art. It addresses the lack of diversity in the study of art, media and sound through careful audition of marginalised voices that speak of race, gender, sexuality, indigeneity, colonialism, nationalism, violence and the politics of space. -- .

(Hardback)

There is no soundtrack amplifies new and radical audio-visual relationships in experimental media art. It addresses the lack of diversity in the study of art, media and sound through careful audition of marginalised voices that speak of race, gender, sexuality, indigeneity, colonialism, nationalism, violence and the politics of space. -- .

(Hardback)

Explores Franco-Maghrebi crossings in contemporary art, giving particular attention to performance, video, photography and installation. It is the first book to focus on postcolonial approaches to art in France and the wider French-speaking world. -- .