(Hardback)

Chloe Sells produces vivid interpretations of rural Africa using innovative photographic techniques.

(Hardback)

Thatchers Children, a long-term project by photographer Craig Easton, examines the intergenerational nature of poverty as experienced by three generations of the Williams family in the north of England. The passage of time shown in the book demonstrates how deprivation is connected to the social policy failures of successive governments.

(Hardback)

This volume was inspired by the life and work of Victorian astronomer and photographer Thereza Dillwyn Llewelyn, and her father, John.

(Hardback)

Author retells the historical children's strike in Wrzenia in Poland through collaged archive photographs from the 1950s and 1960.

(Hardback)

Exploring what it means to become American has been the focus of photographer Ben Rasmussens work for the past eight years. In The Good Citizen, he considers how American society came to be what it is today.

(Hardback)

Larry Towell photographed Mennonites in Canada and Mexico for over ten years, and his own texts tell in detail his experiences with their communities. This second edition, reedited and re-sequenced includes forty new images from the photographers archive.

(Hardback)

The Moon Belongs to Everyone is a meditation on the contemporary experience of migration, of shifting continents, and fractured mindsets. Mehrfars work acts as an allegory for an increasingly ubiquitous, non-specific, global identity; an unidentifiable position she found herself in after immigrating to Australia.

(Hardback)

The Settlements is an architectural portrait of the settlements in Israel from a broad sampling of all types, sizes, densities, ages and regions.

(Hardback)

The Shipping Forecast, originally published in 1996, is Mark Powers illustration of the UKs Shipping Forecast, broadcast four times a day on BBC Radio 4. Beyond its useful and (at times life-saving) use to mariners it is also listened to by millions of people who tune in across the UK.

(Hardback)

Over a period of two years, Herman Ellis Dyal photographed the interior of the church he had attended as a child in San Antonio, Texas. The resulting photographs show much of the building now unused and form his first monograph, The Things Not Seen Are Eternal.

(Hardback)

The Truth is in the Soil by Ioanna Sakellaraki is a 5-year exploration of grief as an elegy to her father and the dying tradition of mourning in Greece.

(Hardback)

The Uncanny is a personal visual exploration of the Democratic Republic of Congo by Belgian photographer Lonard Pongo. Collaborating with friends and family in the country, Pongo became immersed in their vision. He let them decide what he should witness as he attempted to understand the region.

(Hardback)

(Hardback)

Culmination of Magnum photographer Lu Nan's epic 15 year project documenting contemporary Chinese life.

(Hardback)

(Hardback)

WAHALA is a document of both the places in the world where raw materials are extracted from the earth for profit, and the people who make their homes there.

(Hardback)

DanishphotographerMadsNissen,hasdocumentedtheendofthecivilwarin Colombia since2006.WeareIndestructibleistheculminationofNissen'swork,providingaportraitofawar-torncountrynavigatingthecomplexitiesofnewfoundpeace.

(Hardback)

We Dont Say Goodbye is the result of a 10-year journey by Italian photographer Lorenzo Meloni across the Middle East and North Africa. Expecting to find and record the dawn of a new era of democratisation in the region, this journey turned into Melonis first conflict reportage which lasted a decade.

(Hardback)

Winner of the ICP /GOST First Photo Book Award, Nancy Floyd has been photographing herself every day since 1982. If she fails to take a picture she advances the film in her camera so a blank image is recorded, creating a visual calendar.

(Hardback)

In 2009 Karolina Gembara moved to Delhi to learn photography and stayed for seven years. When we lie down, grasses grow from us, comprises photographs taken during this period, as Gembara developed a love/hate relationship with the city, borne out of a combination of fascination, homesickness and a feeling of transience.