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Paul Cezanne, whom Pablo Picasso called the father of us all, is widely considered to be 20th-century modernisms presiding genius. This essay accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art.

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Delves into various aspects of the artist Pablo Picasso's oeuvre and places the work in a broader social and art-historical context.

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Pablo Picassos modest yet revolutionary cardboard and sheet metal Guitar sculptures (1912 and 1914, respectively) bracket an incandescent period of structural, spatial and material experimentation for the artist. This essay incorporates photographs, correspondence, archival records and accounts, providing insights into Picassos practice.

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In the late 1940s, the author began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat on the ground. "One: Number 31 (1950)", was among the largest of the paintings he produced by this method. This title offers an exploration of the painting.

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Examines the evolution of artistic practices related to prints, from the resurgence of ancient printmaking techniques often used alongside digital technologies to the worldwide proliferation of self-published artists books and ephemera. This title features focused sections on ten artists and publishers.

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Born in Cincinnati and raised in Minnesota, Ralph Lemon is one of the most significant figures to emerge from New York's downtown dance community in the 1980s. His politically resonant and deeply personal projects are investigations of race, identity, memory, and mourning. This book deals with his body of work.

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Richard Benson, former dean of the Yale School of Art and a MacArthur Foundation Fellow, has been a photographer for more than four decades. This title presents one hundred photographs by Benson, highlighting the unique properties of his prints and exemplifying his fresh techniques.

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An abiding image of American racial segregation from 1950s New Orleans

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Robert Gober rose to prominence in the mid-1980s and was quickly acknowledged as one of the most significant artists of his generation. In the years since, his reputation has continued to grow, commensurate with the rich and complex body of work he has produced.

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PakistaniAmerican artist Shahzia Sikander recounts how growing up as a tomboy in a multicultural home in Pakistan inspired her to become an artist

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Delves into various aspects of the artist Henri Rousseau's oeuvre and places the work in a broader social and art-historical context.

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There is a whole category of design objects and prototypes designed in order to respond to situations of emergency. This book explores these objects, featuring designs and objects in areas such as protective gear, everyday safety devices, emergency shelters, life support equipment, bioengineering and emergency vehicles.

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Born in Manchester, England, Sarah Michelson has lived and worked in New York since 1991, where she has become a fixture of the downtown dance community. Her works are known for their athleticism, rigor, beauty, and attention to architectural space. This book explores the concepts and content of the choreographer's work.

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In conjunction with a major exhibition of Shigeko Kubotas work at The Museum of Modern Art, this publication will shed new light on an under-recognized visionary artist

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A dancer, designer, puppet maker, sculptor and painter at the heart of the Zurich Dada movement, Taeuber-Arp made Head in the wake of World War I, during a time of profound political and cultural self-questioning. Almost a century later, her witty wooden figure has lost none of its punch as an investigation of art across aesthetic and material boundaries rather than within them.

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Accompanying the first Sophie Taeuber-Arp retrospective in the U.S. in forty years, and the first ever on the artist in the UK, a comprehensive survey of the abstract artists vibrant and profoundly innovative work across disciplines

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Originally delivered as talks at a symposium held at the Museum of Modern Art in 2016, the 10 essays gathered in this volume offer insight into the collaborations between architects and structural engineers that engendered many of the most important buildings erected in Japan after 1945.