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A collection of essays by the controversial and popular Australian art and architecture scholar, Joan Kerr. It is a history of changing attitudes to Australian art and architecture as well as a record of her remarkable career.

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This is the first anthology to chronicle the global critical reception of Aboriginal art since the early 1980s, when the art world began to understand it as contemporary art.

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Long before virtual reality captured the imagination, holography provided artists with a new, challenging, three-dimensional medium. Its very immateriality demanded that artists approach its illusions in unforseen and inventive ways.

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A groundbreaking comparison of two contemporary Asian art cultures. This discipline develops theoretical perspectives on genealogies of modernity, and the twin phenomena of globalisation and transnational artistic identity.

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Celebrate's Barbara Campbell's recent retrospective at the University of Sydney. Over the last few years Campbell has become one of Australia's most respected and challenging performance artists. This book contains essays celebrating her retrospective by seven prominent art theory and art history writers including Joan Kerr.

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Scrutinises the intellectual and institutional foundations of cultural studies and puts forward the provocative thesis that cultural studies has become part of the academy it has so regularly critised.

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Author deals with modernism and the post-modern sublime and the role of the avant-gardes legitimation and narrative authority, republicanism and totalitarianism.

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Provides an abundance of understandings, approaches, correctives and challenges to scholars not only in animation studies but in film studies, indeed to disciplines across the spectrum. The 16 essays composing the collection engage with post-World War II film animation in Japan and the US.

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The principal aim of this book is to bring together in one publication those writings on clothes and fashion by Roland Barthes, which have yet to be translated into English.