(Hardback)

A journey to the Italian cinema in the company of its major film makers and theorists. Rossellini, Visconti, Pasolini and Zavattini are given a new focus that overturns the usual views and perspectives. It offers new and exciting interpretations. -- .

(Paperback)

Accessible and inventive in its approach, Colour is the first monograph to deal with the close criticism of film colour across decades and countries. -- .

(Hardback)

A penetrating and illuminating series of essays that looks at some of the most distinctive directors in world cinema. Sam Rohdie is one of the most distinguished film scholars currently writing. He moves from the very well known Hitchcock, Truffaut, Visconti, Welles to those that he feels need more attention Painlev, Vigo and Franju.

(Paperback)

Montage is an informed and highly original study in the styles and histories of film editing. Drawing on a wide range of directors and films, the book demonstrates the fundamental importance of montage aesthetics to the art of cinema and the practice of film criticism. -- .

(Hardback)

Montage is an informed and highly original study in the styles and histories of film editing. Drawing on a wide range of directors and films, the book demonstrates the fundamental importance of montage aesthetics to the art of cinema and the practice of film criticism. -- .

(Hardback)

Accessible and inventive in its approach, Colour is the first monograph to deal with the close criticism of film colour across decades and countries. -- .