(Paperback)

In all his films, Peter Greenaway shows obsessive attention to detail, exaggerating the archaic and fabricating his plots out of an artificial realm of caricature and pastiche. This book examines his vision from a number of perspectives and traces a shift of sensibility in his work.

(Paperback)

Explores how animal imagery has been used in modern and contemporary art and performance, and in postmodern philosophy and literature, to suggest and shape ideas about identity and creativity.

(Paperback)

An account of how Spanish painters of the sixteenth and seventeenth centuries dealt with mystic visions in their art, and of how they attempted to 'represent the unrepresentable' that aims to establish a theory of visionary imagery in Western art in general, and one for the Spanish Counter-Reformation in particular.

(Paperback)

Icons are among the most elusive subjects in the history of art, but at the same time their study constitutes possibly its fastest expanding field, and with the opening-up of the former Soviet Union many new objects are being discovered, studied and exhibited. This book considers the icon as an integral document of society.

(Paperback)

Drawing on a range of images from Antiquity to the 20th century, which includes paintings, sculptures, prints, cartoons, postage stamps, medals, documents and photographs, this title investigates the genre as a particular phenomenon in Western art that is especially sensitive to changes in the perceived nature of the individual in society.

(Paperback)

For a woman in the Western world, there is no escaping beauty. Either she possesses it, or she lacks it. If she lacks it, she may hope to gain it. If she already has it, she will certainly lose it. But what is 'it' This book attempts to describe the mise-en-scene of beauty within a field of representations that of the beauty of a woman.