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Bombay and Wembley collide in this comedy drama which explores community, sexuality and identity.

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Maureen Duffys double-bill tells the story of two remarkable women: Hilda of Whitby and Virginia Woolf.

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A controversial 1912 classic: one of the first plays in modern British history to feature a female working-class protagonist.

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Gupta's new version sets this classic 1916 comedy in a modern day Salford Asian community.

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Holy Mothers is a translation of Austrian playwright Werner Schwab's horrifically funny play Die Prosidentinnen. Translated by British playwright Meredith Oakes, this play opened to great acclaim at London's Royal Court Theatre.

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An adaptation of the well-known 1987 David Mamet film by critically acclaimed and award-winning writer Richard Bean.

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Five years ago, Annie Siddons found herself living in suburbia by accident. This show is a hilarious and touching account about her attempts to fit in.

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In this new thriller of a play from Irish playwright Colin Teevan, a journalist and some British soldiers set off across Iraq on a mercy mission to absolve themselves from the guilt of past misdemenours.

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How to Act explores the contemporary realities of personal, cultural and economic exploitation through two individuals drawn together in the theatre. Both believe in truth, but each has their own version of it.

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A contemporary reimagining of Sophocles' Antigone, for children and young audiences.

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The 5th Marquis of Anglesey was one of the Earth's wealthiest men, until he lost it all by being too damn fabulous. A hilarious, ripped-up musical about this gorgeous tragedy.

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A dark, painful and very funny play by Serbian writer Ugljesa Sajtinac.

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Hunch is a new dark comedy about the power of gut decisions, written and performed by Kate Kennedy.

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Two plays, companion pieces, portraying two different realities of a British White male and a British Asian male.

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"Clever, beautiful. Observant, and better than that, brave" - The Scotsman

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A sunny September day. Heather Smithson, a senior MI5 controller, has a dilemma. Her job is on the line. She pauses in the sunshine to brood on recent events and what they mean in her life. Seattle, Genoa, New York: What is the battleground Who is the enemy

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A beautiful & elegant new play from Norway's greatest contemporary writer, Jon Fosse. Adapted here by British playwright Simon Stephens, this version opened to great acclaim at London's Young Vic theatre.

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A car has exploded. A city has been crippled by fear. Amor wanders around the city, doing his best to blend in. He's going to exchange a drill head. He's going to call his brothers. He's going to stop stalking Valeria and take care of his long-since-dead grandma. Most important of all: he must not attract any suspicious glances.

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A powerful and affectionate evocation of the city in which it is set, presented from the point of view of the marginal and dispossessed who take centre stage. A sombre meditation on human life's fragility, made good by human warmth and community.

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Commemorating the exact centenary of the deportations that began the Armenian Genocide, I Wish To Die Singing - Voices From The Armenian Genocide is a controversial documentary drama uncovering the forgotten secrets and atrocities of a denied genocide.

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1981. Hollywood. Sue Mengers is a woman whose time is passing. The glory days are fading. The phone's not ringing so much. How does a powerful woman face a treacherously shifting landscape John Logan's new one-person play explores this moment in Sue Menger's life.

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A turbulent and triumphant tale of a totally troubled teen.

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On top of a mountain in the middle of a blizzard, you see a figure: eight foot tall, with white matted hair covering his body. He stands upright on two legs. You see him. He sees you. But who will believe you and how far can you trust what you see