(Paperback)

(Hardback)

This critical study of the cinema of John Milius fills a major gap in the literature by combining the examination of the artistic, historical, and cultural significance of Miliuss work with an in-depth analysis of his films.

(Paperback)

This critical study of the cinema of John Milius fills a major gap in the literature by combining the examination of the artistic, historical, and cultural significance of Miliuss work with an in-depth analysis of his films.

(Hardback)

(Paperback)

(Paperback)

Examines the work of Michael Mann, Hollywood director through a critical study of his film style and its relationship to genre, film criticism, auteurism, and historical context. This book covers Mann's filmography, from his beginning in television to his film adaptation of the television series "Miami Vice".

(Hardback)

The first anthology on Norman Mailer's film career, including new and never before published essays, interviews, photographs and critiques.

(Paperback)

The first anthology on Norman Mailer's film career, including new and never before published essays, interviews, photographs and critiques.

(Paperback)

(Hardback)

The films of Ousmane Sembene are powerful representations of the newly emerging black African cinema. Pfaff discusses the aesthetic, sociopolitical, and metaphysical values of Sembene's oeuvre within its African context. Pfaff includes film stills and excerpts from interviews with Sembene and other African filmmakers.

(Paperback)

One of the most artistic of ethnographic filmmakers, and the most ethnographic of artistic filmmakers, Robert Gardner is original, as well as controversial, filmmakers. This title contains essays dedicated to his work - a corpus of films including "Dead Birds" (1963), "Rivers of Sand" (1974), and "Forest of Bliss" (1986).

(Hardback)

One of the most artistic of ethnographic filmmakers, and the most ethnographic of artistic filmmakers, Robert Gardner is original, as well as controversial, filmmakers. This title contains essays dedicated to his work - a corpus of films including "Dead Birds" (1963), "Rivers of Sand" (1974), and "Forest of Bliss" (1986).

(Paperback)

(Paperback)

This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon.

(Hardback)

This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon.

(Hardback)

(Paperback)

(Hardback)

"The first book to lay out the incredible range of the precariat (the vast global workforce, suffering from precarity) as well as a detailed report on the cinematic record of their work and lives"--

(Hardback)

Traces the progressive redrawing of the boundaries between human beings and things as represented in cinema through commodity culture, objectification, and technological supplementation.

(Paperback)

(Hardback)

"The first book dedicated to the cinema of Yorgos Lanthimos, offering a range of critical approaches to his work"--

(Paperback)

"Using extensive examples of films and filmmakers from French and Japanese cinemas, this book tracks the longstanding and multiple cultural, aesthetic and stylistic links that are found in films from the two countries"--

(Hardback)

"Using extensive examples of films and filmmakers from French and Japanese cinemas, this book tracks the longstanding and multiple cultural, aesthetic and stylistic links that are found in films from the two countries"--

(Hardback)

This text showcases the versatility of the Frankenstein myth as expressed in cinema's horror genre. It offers a sustained critical analysis of the story's evolution over many decades, many studios, and many different styles of film-making, employing both primary texts and scholarly examination.