(Paperback)

(Paperback)

Features photographs of lovers and marriage and child-bearing; photographs concerned with man's dreams and aspirations and photographs of the flaming creative forces of love and truth and the corrosive evil inherent in the lie.

(Hardback)

Presents the work of 17 contemporary painters whose works reflect a singular approach that is peculiarly of our time: they are a-temporal, a term coined by William Gibson and Bruce Sterling, the originators of the cyberpunk aesthetic.

(Hardback)

An introduction to the basic concepts of graphic design for children and a love letter to New York City through one of its most iconic fixtures, the subway.

(Hardback)

(Hardback)

"The remarkable story of how Gilbert Baker and his friends created the iconic Rainbow Flag in 1978."--Publisher's description.

(Hardback)

A survey that explores sixty photographs from the collection of The Museum of Modern Art. Ranging from the contemporary artist Andreas Gursky to William Henry Fox Talbot, it tells the story of photography from its beginnings, but upend and newly illuminate that story through their arrangement in reverse chronological order.

(Hardback)

(Hardback)

(Hardback)

(Hardback)

Can a photograph capture the sensation of a warm spring breeze or the smell of freshly fallen snow From the rainy streets of Paris to a sun-dappled pool in Beverly Hills, from steamy summer sidewalks in Brooklyn to snow-covered fields in Japan, tis book features photographs that depict much more than what first meets the eye.

(Hardback)

Looks at the world through a beloved artist's eyes and provides insight into his creative process.

(Paperback)

(Hardback)

(Hardback)

Provides an introduction to the Japanese artist who is known for her use of dots.

(Paperback)

Examines the beginnings of Onos extensive career, demonstrating her pioneering role in visual art, performance and music during the 1960s and early 1970s. This book includes an introduction written by a guest scholar, artwork descriptions and key figures from the time. It also features exhibition dedicated exclusively to the artists work.

(Hardback)

Young Charlotte is a filmmaker who loves everything that's black and white, including spiders, penguins and the old movies that she sees with her dad at the Golden Theatre. With her camera at the ready wherever she goes, she finds inspiration for movies everywhere she looks. This book deals with her life and work.

(Hardback)

Young Frank is an architect. He lives with his grandfather, Old Frank, who is also an architect. Young Frank likes to build using anything he can get his hands on! But Old Frank disapproves. One day they go to visit The Museum of Modern Art in New York City. There, Old Frank sees that architects can do more than he thought they could.

(Hardback)

Dating from the 1960s, this book includes works that represent a total of thirty-eight European and American artists, whose work is beautifully reproduced here.

(Hardback)

A lady checks her luggage for a train ride: a couch, a suitcase, a traveling bag, a picture, a basket, a hat-box, and a little dog. Will they all make it to her destination

(Hardback)

Features MoMAs collection of Dada works. This title contains essays that focus on a selection of the museums important Dada works. It highlights works in many media, including books, journals, assemblages, collages, drawings, films, paintings, photographs, photomontages, prints, readymades and reliefs.

(Hardback)

Design and Violence.

(Paperback)

At the forefront of the social revolution that transformed Mexico during the first half of the twentieth century were three artists whose work had a great impact on the country's culture and politics: Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueiros. This title looks at ten important works by these artists.

(Hardback)

In 1931, Diego Rivera was the subject of The Museum of Modern Art's second monographic exhibition, which set attendance records in its five-week run. This title casts the artist as a highly cosmopolitan figure who moved between Russia, Mexico and the United States, and examines the intersection of art-making and radical politics in the 1930s.