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This sourcebook focuses on the most prominent adherents of the three schools directly affected by Gauguin's symbolism.

This is the first comprehensive, single-volume guide and bibliography of artists in these three important French avant-garde movements.

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This comprehensive international bibliography is the first to attempt documentation of this diverse field, covering the history of Artist's Performance.

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The materials included in this bibliography focus on the craftsmen responsible for the creation of fine furniture. works that examine the sociological, political, economic and environmental conditions within which furniture craftsmen worked, as well as furniture factories and furniture retail businesses themselves;

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A guide to North American graphic design from colonial times to the present, aimed at designers, students, and librarians making collections. Among topics covered are design theory, history and techniques, reproduction, illustration, advertising, packaging, signs and computer technology.

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Providing access to over 6,500 house designs published between 1850 and 1915, this work is indexed by architects' or designers' names as well as by the geographic location of each house when given in the periodical.

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This bibliography compiles over 1,070 sources for over 600 photographers from the 1880s to the present.

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A critical guide to the English-language literature, Dutch Modernism demonstrates the importance of the Dutch contribution to 20th-century architecture.

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Providing a detailed annotated bibliography and research guide to the Stieglitz Circle and four of its leading membersArthur Dove, Marsden Hartley, John Marin, and Max Weberthis new sourcebook offers a chapter on each of the four artists.

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The volume is designed for art historians, art students, museum and gallery curators, and others interested in this major art style of the last half of the 19th century and the first quarter of the 20th century.

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Following up on his successful World Architecture Index (Greenwood Press, 1991), Edward Teague applies his research and organizational skills to provide detailed coverage and easy access to the wealth of architectural landmarks in Italy as illustrated in eighty books widely available in libraries.

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On the basis of a mere handful of issues, The Dolphin and The Fleuron established an international reputation among professionals, scholars, and booklovers with an interest in fine bookmaking and the history of printing, illustration, and typography.

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This bibliography pays tribute to the rich and multifaceted artistic accomplishments of women in and from 20th century Latin America. It begins systematically to identify women - painters, sculptors, and others - who have made significant contributions to the history of art in the region.

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Designed for art historians, art students, museum and gallery curators, and art lovers alike, this volume organizes the vast literature surrounding this fascinating, revolutionary, 20th-century art group.

Genuinely new art is always challenging, sometimes even shocking to those unprepared for it.

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This bibliography includes more than 1,100 entries from books, journals, newspaper articles, and dissertations concerning North American Indian basketry.

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Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905.

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Print Index: A Guide to Reproductions is designed to aid the user in locating illustrations of prints dating from the early eighteenth century through the mid-1970s.

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In the main directory users can find information on former titles, publisher, editorial focus, content features, and a relevancy rating on each of almost 700 individual serial titles that have an editorial focus related to ethnoart.

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Deals with Precisionism and its ten leading practitioners: George Ault, Peter Blume, Ralston Crawford, Charles Demuth, Preston Dickinson, O. Louis Guglielmi, Louis Lozowick, Morton L. Schamberg, Charles Sheeler and Niles Spencer. Each artist is the subject of a chapter with a biographical sketch.

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This guide summarizes and evaluates the available literature concerning the Dutch artistic movement De Stijl, which was headed by art critic and painter Theo van Doesburg and was comprised of such architects and artists as J.J.P.