(, 2nd edition)

Raymond Durgnat's classic study of British films from the 1940s to the 1960s, first published in 1970, remains one of the most important books ever written on British cinema.

(, 2nd edition)

Published in the BFI Silver series, this new edition of Laura Mulvey's classic work of feminist theory features a new introduction and new illustrations. This collection contains writings, ranging from analyses of Xala, Citizen Kane, and Blue Velvet and the work of American Indian artist Jimmie Durham to the feminist photography of Cindy Sherman.

(, 2nd edition)

Published in the BFI Silver series, this new edition of Laura Mulvey's classic work of feminist theory features a new introduction and new illustrations. This collection contains writings, ranging from analyses of Xala, Citizen Kane, and Blue Velvet and the work of American Indian artist Jimmie Durham to the feminist photography of Cindy Sherman.

(, 2nd edition)

Humphrey Jennings was one of Britain's greatest documentary film-makers. A member of the GPO Film Unit and director of canonical films such as Listen to Britain, he was also an acclaimed painter, photographer, poet and writer. This seminal collection of critical essays and archival material explores the life of Jennings and his many artistic works.

(, 2nd edition)

Humphrey Jennings was one of Britain's greatest documentary film-makers. A member of the GPO Film Unit and director of canonical films such as Listen to Britain, he was also an acclaimed painter, photographer, poet and writer. This seminal collection of critical essays and archival material explores the life of Jennings and his many artistic works.

(, 5th edition)

First published in 1969, Signs and Meaning in the Cinema helped transform the discipline of film studies by incorporating the methodology of structuralism and semiotics. Featuring a new foreword by D.N. Rodowick, this new BFI Silver edition explores the way in which a new approach to the cinema can be combined with a new approach to aesthetics.

(, 5th edition)

First published in 1969, Signs and Meaning in the Cinema helped transform the discipline of film studies by incorporating the methodology of structuralism and semiotics. Featuring a new foreword by D.N. Rodowick, this new BFI Silver edition explores the way in which a new approach to the cinema can be combined with a new approach to aesthetics.