Hans von Blow's Letters to Johannes Brahms: A Research Edition
By (Author) Hans-Joachim Hinrichsen
Translated by Cynthia Klohr
Scarecrow Press
Scarecrow Press
6th October 2011
United States
Professional and Scholarly
Non Fiction
Composers and songwriters
Art music, orchestral and formal music
Published diaries, letters and journals
780.92
Hardback
170
Width 152mm, Height 229mm
Hans von Blow (1830-1894) is a towering figure of late 19th-century music. In his early years, he was crucial to championing Franz Liszt's instrumental works. He would also conduct the premires of Richard Wagner's musical dramas Tristan and Isolde and The Mastersingers and become the first to perform all five of Ludwig van Beethoven's late piano sonatas in one recital. In 1869, after breaking away from Wagner, Blow became one of the most important proponents of orchestral works by Johannes Brahms, whom he had known personally for decades.
Hans-Joachim Hinrichsen's Hans von Blow's Letters to Johannes Brahms, originally published in German in 1994, covers the correspondence between Hans von Blow and Brahms from 1877 to 1892, with Brahms's replies, where obtainable, included in the commentary. In addition to selected facsimiles of letters, postcards, and concert programs, this research edition of the correspondence of these two giants of classical music includes a thorough commentary explaining individuals, events, and issues discussed in the letters. Authoritatively researched, Hinrichsen's edition of these letters, artfully translated by Cynthia Klohr, brings to life the world of music that Brahms and Blow inhabited.
As the first complete English rendition of all extant letters written by Blow to Brahms, Hans von Blow's Letters to Johannes Brahms is a formidable collection of primary sources, offering critical insights into one of the key relationships in the history of 19th-century classical music. Musicians, musicologists, and historians will all find this book to be a fascinating read.
Hans-Joachim Hinrichsen became professor of musicology at the University of Zurich in 1999 after studying German literature, history, and musicology and teaching at Berlin's Freie Universitt. He is co-editor of the journals Archiv fr Musikwissenschaft (Archive for Musicology) and Schubert: Perspektiven (Schubert Perspectives). He is also a member of the Academia Europaea and the Austrian Academy of the Sciences and author of Musikalische Interpretation: Hans von Blow (1999).
Translator Cynthia Klohr, PhD, teaches philosophy at universities in Karlsruhe, Germany. She has translated several books and essays in philosophy, psychology, the theory and history of science, and music.