Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival
By (Author) Richard Bienstock
By (author) Tom Beaujour
St Martin's Press
St Martin's Press
15th July 2025
25th May 2025
United States
General
Non Fiction
781.66078
Hardback
432
Width 156mm, Height 235mm
300g
With a Foreword by Kim Thayil of Soundgarden! The definitive, no-holds-barred oral history of 1990s alt-rock festival Lollapalooza-told by the musicians, roadies, and industry insiders who lived it. From the New York Times bestselling authors of Nothin' But A Good Time. In Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival, New York Times bestselling authors Richard Bienstock and Tom Beaujour tell the no-holds-barred history of the iconic music festival. Through hundreds of new interviews with artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more, Lollapalooza chronicles the tour's pioneering 1991-1997 run, and, in the process, alternative rock's rise - as well as the reverberations that led to a massive shift in the music industry and the culture at large. Lollapalooza features original interviews with some of the biggest names in music, including Perry Farrell and Jane's Addiction, Pearl Jam, Soundgarden, Nine Inch Nails, Sonic Youth, Tool, Smashing Pumpkins, Ice-T, Rage Against the Machine, Green Day, Patti Smith, Alice in Chains, Metallica and many more. Conceived by Farrell as a farewell tour for Jane's Addiction, Lollapalooza's inaugural outing across the U.S. in the summer of 1991 helped to coalesce an ideology and aesthetic that not only washed over popular music but seeped into fashion, film, television, literature, food, politics and more. Throughout the decade, Lollapalooza offered a vast and diverse ensemble of bands, breaking barriers of genre and uniting alternative rock, heavy metal, punk, hip-hop, industrial, goth, avant-garde, spoken word, electronic dance music and other styles under one big tent, and setting the template for the modern American music festival and the scores of other contemporary destination fests that are now an integral part of how audiences experience live music. Unorthodox not just in music, Lollapalooza also spotlighted visual arts, nonprofit organizations, political outfits and even the occasional freak show, offering a tantalizing cocktail of culture, art, and activism that, taken together, defined the alternative mindset that dominated the 1990s. Echoes of its impact reverberate strongly today - cemented by annual sell-outs at destination events all over the world, an estimation of 400,000 attendees at the flagship Chicago fest each summer, and a spot among the world's largest and longest-running music festivals. A nostalgic look back at 1990s music and culture, Lollapalooza traces the festival's groundbreaking origins, following the tour as it progresses through the decade, and documenting the action onstage, backstage, and behind-the-scenes in detailed and uncensored and sometimes shocking first-person accounts. This is the story of Lollapalooza and the 1990s alternative rock revolution.
"A firecracker of a book." Washington Post
"Comprehensive and entertaining." Associated Press
"A fun, dishy and surprisingly moving read." Los Angeles Times
"In the tradition of Legs McNeil and Gillian McCain's Please Kill Me and their own Nothin' But a Good Time, Bienstock and Beaujour spliced together dozens of interviews with musicians, producers, staff, and others on the scene to craft an epic story of 1990s rock and roll as filtered through the heroin-hazy lens of the granddaddy of American music festivals... Essential addition to any rock history library." Kirkus
"[A]n authentic, almost documentary-like feel to the story of Lollapalooza...Lollapalooza is an essential read. It captures the era's spirit with insider revelations and a touch of nostalgia. Whether you're reliving your memories or discovering the festival's legacy for the first time, this book is a perfect re-telling of the crazy world of Lollapalooza." Cultr.com
"The Lollapalooza tour defined "alternative culture" in the nineties with lineups that bridged rock, hip-hop, and performance art. The book, Lollapalooza, collects the musicians' unbelievable-yet-true stories into an indispensable page turner and shows how a tour like Lollapalooza could never happen the same way again." --Kory Grow, Rolling Stone
"Lollapalooza defined a generation, and who better to hear it from than the people who lived it A must-read." Daniel Kohn, SPIN
"Drawing from an impressive array of interviews with band members, music journalists, and festival organizers, the authors vividly capture the chaos of the festival's early days...The result is a colorful, captivating slice of music history." Publishers Weekly
"Lovers of 1990s alternative rock music... will enjoy this unflinching look at music festival culture and the rise and fall of alternative rock." Booklist
"This breezy oral history will appeal to most rock fans. The authors explore the festival's impact on '90s rock culture and provide intimate portrayals of the bands that Lollapalooza featured." Library Journal
TOM BEAUJOUR is a journalist as well as a co-founder and former editor-in-chief of Revolver, America's premier hard rock and heavy metal monthly. Beaujour has produced and mixed albums by Nada Surf, Guided by Voices, the Juliana Hatfield Three, and many others. He is also the New York Times bestselling co-author of Nothin' But a Good Time. RICHARD BIENSTOCK is a journalist whose writing has appeared in the New York Times, Rolling Stone, Billboard, Spin, and other publications. He is a former senior editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored and co-authored several books, among them Kurt Cobain: Montage of Heck. He is also the New York Times bestselling co-author of Nothin' But a Good Time