MacDonald Gill: Charting a Life

(Hardback)

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MacDonald 'Max' Gill (1884-1947) was an architect, letterer, mural painter and graphic artist of the first half of the twentieth century, best known for his pioneering pictorial poster maps including the whimsical Wonderground Map of London Town. His beautiful painted panel maps decorate the Palace of Westminster and Lindisfarne Castle and the alphabet he designed in 1918 is still used on the British military headstone. He enjoyed close links with many leading figures in the arts & crafts world: the architects Sir Charles Nicholson, Sir Edwin Lutyens and Halsey Ricardo, the calligrapher Edward Johnston, Frank Pick of the London Underground, and of course his brother - the sculptor and typographer Eric Gill. Overshadowed in recent times by his controversial sibling, MacDonald Gill was nevertheless a significant artist of his time. With much of his four-decade output touching on the remarkable events and developments of his time - including two world wars, the decline of Empire, the advent of flight, and innovations in communications technology, his work also takes on a unique historical importance. Drawing chiefly from family archives, this biography of MacDonald Gill is the first publication to tell the story of this complex and talented man.

Reviews

"MacDonald Gill is drawn out of his brother's shadow by a fine biography. Five stars." * Daily Telegraph (UK) *
"The first biography of 'Max' Gill reveals the versatile talent of an artist who was a master of lettering and murals and a standout mapmaker-artist. . . .Beautifully illustrated and clearly written, Caroline Walkers book is an engaging study of an artist who came to maturity at the end of the nineteenth century and whose work partook of generous-spirited artistic ideals, formed at a time of accelerating globalisation. Gill's output was rooted in a deep love of the historic but it is also unmistakably of its time. He belongs to a rich chapter in the history of English art and design that is all too often overlooked in our enthusiasm for the rise of the adventurous but clinical modern, which (all too quickly) overtook it." * Art Newspaper *
"Walkers new biography finally accords [Gill's] diverse, four-decade-long career the canonical status it deserves. Dispelling the narrow view of cartography as an exclusively practical pursuit, Walkers chronological history of Gills life and work asserts his status as an artist first and foremost. Born out of a career that spanned significant historical milestonesthe advent of flight, the decline of empire, two World Wars, to name but a fewGills oeuvre represents an important point of reference in modern British visual culture. . . . The biography succeeds in bringing the cartography of an extremely talented man to life." * Town & Country (UK) *
"MacDonald Gill: Charting a Life certainly sets things straight and contains many such anecdotes as part of the author's mission to re-establish the standing of an artist which for too long has been as ephemeral as his posters. Handsome and densely illustrated, this satisfying tome is the culmination of 14 years research into Max Gill's life and work. . . .Deploying the obsessive zeal of a family historian and with a fondness for random detail, Walker has fashioned an engaging narrative to parallel this nicely illustrated visual chronology." * The Critic (UK) *
"One of the most original British map-makers working in the twentieth century. His maps display a distinctive, idiosyncratic vision of the world which has been much imitated but rarely equalled. . . . Walkers biography is finally able to do true justice to the many aspects of this remarkable career, and there really is nobody better to write his story." -- Tom Harper, lead curator of antiquarian mapping, The British Library

Author Bio

Caroline Walker is the great-niece of MacDonald Gill, and has been researching his life and work since 2006. She has been co-curator of several exhibitions dedicated to her great-uncle, including Out of the Shadows: MacDonald Gill at the University of Brighton in 2011 and Max Gill: Wonderground Man at the Ditchling Museum of Art + Craft in 2019. Caroline is an accredited lecturer for The Arts Society and now spends much of her time researching, writing articles, giving lectures and running the artist's website. For more information visit www.macdonaldgill.com.