Available Formats
Max Dupain: A portrait of the new landmark biography of Australia's most iconic photographer from leading curator and award-winning author of OLIVE COTTON
By (Author) Helen Ennis
HarperCollins Publishers (Australia) Pty Ltd
HarperCollins Publishers (Australia) Pty Ltd
30th October 2024
24th April 2025
Australia
General
Non Fiction
Individual photographers
Individual artists, art monographs
Biography: historical, political and military
Australasian and Pacific history
Hardback
544
Width 160mm, Height 242mm, Spine 48mm
829g
From multi-award-winning writer Helen Ennis comes the first ever biography of the photographer Max Dupain, the most influential Australian photographer of the 20th century and creator of many iconic images that have passed into our national imagination.
Max Dupain (1911-1992) was a major cultural figure in Australia who was at the forefront of the visual arts in a career spanning more than fifty years. During this time he produced a number of images now regarded as iconic (The Sunbaker, Meat Queue, Form at Bondi, At Newport). He championed modern photography and a distinctive Australian approach.
However, to date Dupain has been seen mostly in one-dimensional, limited and limiting terms - as exceptional, as super masculine, as an Australian hero. But this landmark biography approaches him as a complex and contradictory figure who, despite the apparent certitude of his photographic style, was filled with self-doubt and anxiety. Dupain was a Romantic and a rationalist and struggled with the intensity of his emotions and reactions. He wanted simplicity in his art and life but found it difficult to attain. He never wanted to be ordinary.
Examining the sources of his creativity - literature, art, music - alongside his approach to masculinity, love, the body, war, and nature, Max Dupain: A Portrait reveals a driven artist, one whose relationship to his work has been described as 'ferocious' and 'painful to watch'. Photographer David Moore, a long-term friend, said he 'needed to photograph like he needed to breathe. It was part of him. It gave his drive and force in life.'
Helen Ennis was Curator of Photography at the National Gallery of Australia (198592), before becoming Director of the Centre for Art History and Art Theory and Sir William Dobell Chair of Art History at ANU School of Art & Design (201418); she is currently Emeritus Professor. She has curated numerous exhibitions for the National Gallery of Australia, National Portrait Gallery, National Library of Australia and other cultural institutions. Her many books include Margaret Michaelis: Love, loss and photography, winner of the 2006 Victorian Premier's Literary Award for Non-Fiction, and Olive Cotton: A Portrait (2019), winner of 2022 Adelaide Festival Award for Non-fiction and the 2020 Magarey Medal for Biography. She was awarded the J. Dudley Johnson Medal by the Royal Photographic Society, London, in 2021. www.helenennis.com