The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic

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"They're not going to catch us," Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the musical action comedy The Blues Brothers, which hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists-Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles-made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since it has been acknowledged a classic: inducted into the National Film Registry for its cultural significance, even declared a "Catholic classic" by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century.

The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Vise reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.

Reviews

Exhaustively researched, highly informative. . . . Gleaned from primary research and interviews with Aykroyd and director John Landis, among others, the narrative details the relationship between Belushi and Aykroyd, the sincerity with which they immersed themselves in the blues to live out their fantasies of fronting a great band, and how they overcame accusations of cultural appropriation to revive and amplify the careers of talents such as James Brown, Aretha Franklin, Ray Charles, and Cab Calloway. The book is also the definitive scene-by-scene account of a film-ambitious and over budget, panned by most critics of the day-that endures as a well-written and -directed comedy doubling as a loving homage to a uniquely American genre and its capital city. . . . A complete portrait of a classic film and the zeitgeist of its era. * Kirkus Reviews, starred review *

Author Bio

Daniel de Vise is the author of four books and journalist. He worked at The Washington Post, the Miami Herald and three other newspapers in a 23-year career. He lives in Maryland with his wife and children.