The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art
By (Author) Donna Stein
Skira
Skira
3rd June 2021
Italy
General
Non Fiction
History of art
Exhibition catalogues and specific collections
Paperback
272
Width 165mm, Height 240mm
1000g
The Empress and I explores a unique alliance between two brilliant women. The book vividly describes how a treasure trove of modern art, now worth billions, was acquired for a relatively modest sum in the 1970s. Its author is a former New York Museum of Modern Art curator who served as an art advisor to the Empress of Iran. She cites numerous personal and previously confidential documents, including reports and extensive communications with artists, art dealers, auction houses and notable museum colleagues.
Given her trying experience at the centre of Iran's most ambitious artistic endeavour of the 20th-century, Stein makes no attempt to hide the fact that her book aims to settle some old scores. However, the Empress - for whom Stein claims to have been a 'confidante'- emerges from the memoir relatively unscathed.--Maya Asha McDonald "Tatler"
Laden with period glamour, political intrigue and eye-catching art.--Tim Cornwell "Art Newspaper"
As an adviser to Queen Farah Pahlavi of Iran, Stein acquired works by Picasso, van Gogh and others for the Tehran Museum of Contemporary Art, until revolution intervened.--Maira Garcia "New York Times"
A new book by curator Donna Stein details the whirlwind acquisition process that built that greatest collection of modern art you've never seen ...Of value to anyone interested in the history of the 20th century art market.--James Tarmy "Bloomberg"
As much as it's a glimpse into the art world, it's also a glimpse into Iran in the 1970s, behind the scenes at the highest echelons, accompanied with photos of Stein and the Empress and the works of art.--Deborah Dundas "Toronto Star"
Donna Stein has finally told her extraordinary story in a new book, The Empress and I: a "hybrid," she calls it, "of autobiography, art history and political history".--Robert Weinberg "Iran Wire"
Stein's book is an instructive memoir of adventure, the pleasure and power of art and culture, but also of friendship and loss. It is Stein's hope that these "young, forward-looking Iranians...will continue...to express themselves beyond any limitation or border, east or west.--Hazel Shahgholi "amNY"
The Empress and I tells two interlocking stories: one of a rule-driven, hierarchical, often-dysfunctional bureaucracy that bought Western art at surprisingly reasonable prices for a monarchy flush with oil money; another of the daily life of an unmarried young American woman in Old Regime Tehran.--Elaine Sciolino "New York Times"
Titled The Empress and I: How an Ancient Empire Collected, Rejected, and Rediscovered Modern Art, the tome makes for a fascinating read for anyone with an interest in art history. But besides offering a chance to learn more about paintings such as Pollock's 1950 Mural on Indian Red Ground, the Skira publication is also a study of one woman's personal and professional journey.--Madeline Luckel "Architectural Digest"
In the 1970s, former MoMA curator Donna Stein took on an unusual and highly classified project: advising Farah Pahlavi, the queen of Iran. Here, Stein shares the amazing true story of how she helped build one of the world's most important art collections.-- "Town & Country"
The Empress and I recounts Stein's time spent building the collection, citing previously confidential correspondence with artists and dealers, while exploring the bond she formed with the Empress over a shared passion for art.-- "Christie's Magazine"
Donna Stein, former Deputy Director of the Wende Museum of the Cold War in Culver City, is also an art historian, curator and essayist. For more than 30 years, she has organized exhibitions in all media, primarily on nineteenth- and twentieth-century art, for prestigious institutions around the world, including Asia and Europe. She has published over 100 articles and more than 40 books and catalogues related to her curatorial interests.