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Hardback
Published: 29th September 2020
Paperback
Published: 29th November 2022
Paperback
Published: 29th November 2022
Hardback
Published: 25th October 2019
The Lives of Lucian Freud: FAME 1968 - 2011
By (Author) William Feaver
Bloomsbury Publishing PLC
Bloomsbury Publishing PLC
29th September 2020
3rd September 2020
United Kingdom
General
Non Fiction
Portraits and self-portraiture in art
759.2
Hardback
592
Width 153mm, Height 234mm
1049g
LONGLISTED FOR THE 2020 BAILLIE GIFFORD PRIZE CHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN, OBSERVER, THE TIMES, SUNDAY TIMES, DAILY TELEGRAPH, MAIL ON SUNDAY, FINANCIAL TIMES, NEW STATESMAN, SPECTATOR THE SUNDAY TIMES ART BOOK OF THE YEAR 2020 A dazzling tour de force THE TIMES Does justice to Freuds pitiless genius as an artist DAILY MAIL You can hear Freuds voice on the page OBSERVER Mesmerising the ideal companion to Freuds work GUARDIAN William Feaver, Lucian Freuds collaborator, curator and close friend, knew the unknowable artist better than most. Over many years, Freud narrated to him the story of his life, our novel. Fame follows Freud at the height of his powers, painting the most iconic works of his career in a constant and dissatisfied pursuit of perfection, just outrunning his gambling debts and tailors bills. Whether tattooing swallows at the base of Kate Mosss back or exacting a strange and horrible revenge on Jerry Hall and Mick Jagger, Freuds adventures were always perfectly characteristic. An enfant terrible till the end, even as he was commissioned to paint the Queen and attended his own retrospectives, what emerges is an artist wilfully oblivious to the glitter of the world around and focussed instead on painting first and last.
The concluding volume of Feavers unmissable biography sees the great painter evolving from enfant terrible into Old Devil - although really was a man ever so uncompromisingly himself from cradle to grave As a life its both a horrible warning and a shining example, and Feaver does it justice * Daily Telegraph *
Freud was a wonderful painter a genius but a frequently awful human being. His endless feuds and fights, his numerous sexual partners, his extraordinary work and his eccentricities are all vividly chronicled in this, the second volume of Fevers monumental biography * Mail on Sunday, Books of the Year *
Lucian Freud wanted William Feavers biography of him to be the first funny art book [this is] certainly that, with laughs galore. But its also much more, not least a wonderfully vivid chronicle of the interlocking worlds of money, art and bohemia * Observer, Best Books of 2020 *
Freuds voice rings out on every page, offering opinions on everything from the poutiness of some of his less-acknowledged children to the sublimity of Titians Diana and Callisto. Theres plenty of celebrity juice here too * Guardian, Best Art Books of 2020 *
Huge, gossipy and sometimes shocking no less breezy and eye-popping than the first * The Times and Sunday Times Best Books of 2020 *
Feaver has collected some fabulous stories * Daily Telegraph, The Best Biographies and Memoirs of 2020 *
William Feavers biography of Lucian Freud also comes in two parts. I read the second part, Fame: 1968-2011 (Bloomsbury) this year and found it as engrossing and well informed as the first, and as judicious and well written -- Colm Toibin * New Statesman, Books of the Year *
[One of] the best things I read this year crammed with enough jaw-dropping, buttocks-clenching revelations to keep a whole Soho pub entertained for days -- Robert Douglas Fairhurst * Spectator, Books of the Year *
Explosively enjoyable, bursting with life and art, and all focused on a central figure as wild and beguiling as any character in literature, real or fictitious ... Feaver is wonderfully deft at interweaving the art and the life in an unshowy manner. Throughout the two volumes he manages to convey Freuds personal magnetism, and the way he was simultaneously controlled and controlling and out of control. And, rare for a biographer, he shows what it was like to be with his subject from day to day -- Craig Brown * Mail on Sunday *
Magnificent ... Reads like the last days of Rome ... Feaver shares his subjects style and timing. His clipped prose is running commentary and ironic aside; the sentences, bone-dry, have dramatic entrances -- Frances Wilson * Times Literary Supplement *
If Freuds pictures are at heart all about palpable reality, the same is true of Feavers daunting enterprise ... David Hockney described Freuds portraits as being essentially an account of looking, and thats just what Feavers book is too * Sunday Times *
Does justice to Freuds pitiless genius as an artist * Daily Mail *
An extremely juicy biography You can hear Freuds voice on the page, which is thrilling Bulges with gossipy stuff He was more vivid than other people ... and Feavers great and generous achievement in his book is to enable us to imagine this. Its last lines Freud tells him, that hes always liked lipstick on the teeth are so perfect. Somehow, they say it all. Dress up, go out, get laid. And then try to get it all down in your work: Tell people youve been alive -- Rachel Cooke * Observer *
A biography that is as generous and unsparing as Freuds own best work. At once personally intimate and critically detached, perceptive on the art ... but never trying to compete with it, Feavers biographical portrait is an unforgettable achievement * Prospect *
Superb and eye-opening ... A figure who was driven by strong appetites, told the truth when it was uncomfortable or unwanted, and used paint to play a complicated game in which self-revelation was strangely mixed up with self-disguise. * Prospect *
A mesmerising picture of a paintaholic who was incorrigibly on the make Feavers vastly detailed biography is the ideal companion to Freuds work. It resembles nothing so much as a large Freud canvas: hypnotic, occasionally reiterative, quirkily dark in places, proceeding by a process of obsessive accretion -- Elizabeth Lowry * Guardian *
Diverting Freud played the mischievous bar-room raconteur, chuckling over bygone stunts and scrapes, and sticking the knife into old foes with venomous relish * Sunday Telegraph *
The latest instalment of the epic biography of Lucian Freud finds him at the height of his fame * The Times *
Absorbing in all its darkness and light, a dazzling tour de force Remarkable we have to be grateful that his Boswell was there to make a record * Literary Review *
The first volume of Feavers biography of the artist was highly acclaimed. This second one covers his most productive years * Sunday Times *
PRAISE FOR THE LIVES OF LUCIAN FREUD: YOUTH: 'William Feaver has done a brilliant job -- Lynn Barber * Daily Telegraph *
Freud emerges, dab by dab, fully three-dimensional from Feavers vibrant recitation of dealers and models, works in progress and gambling ... David Hockney, another sitter, described Freuds portraits as being essentially an account of looking, and thats just what Feavers book is too * SUNDAY TIMES *
Freud and Feaver seize you by the elbows, bundle you into a Bentley, haul you round the nightclubs, feed you oysters, Guinness and amphetamines and order you Russian tea and eggs the next morning. I didnt know whether Id been roughed up or ravished * The Times *
This is a tremendous read. Anyone interested in British art needs it An extraordinary book -- Andrew Marr * New Statesman *
A biography that is as entertaining, and full of twists and turns, as a picaresque novel It has amazing zip and gusto, and leaves you wanting more -- Craig Brown * Mail on Sunday *
Sparkling An extraordinary tranche of anecdote and apercu Feavers wonderful biography comes close to Freuds own definition of his art: A picture should be a recreation of an event rather than an illustration of an object * Sunday Times *
Superlative Every page of this volume affirms his distinction This is Lucian Freudian biography, packed with stories -- Alexandra Harris * Guardian *
Lucian Freud was unique; unique in intensity, in affection, in interest and in fun. This brilliant and compendious biography has the same qualities. It does justice to Lucian -- Frank Auerbach
Feaver has filled his book to the brim with the excitement and strangeness of Freud's life -- Colm Toibin * London Review of Books *
Mesmerising, almost surreal in its headlong layering of detail, memory and gossip. Propelled by Freud's sardonic recollections, and lit throughout by William Feaver's impeccable, penetrating analysis of the work, this is a monstrously brilliant portrait -- Jenny Uglow
In William Feavers The Lives of Lucian Freud, based upon decades of conversation with the painter, we hear Freuds remarkable voice on almost every page. The result is a vivid, intimate biography of one of the 20th centurys most storied artists -- Annalyn Swann and Mark Stevens, Pulitzer Prize-winning authors of de Kooning: An American Master
Here, Freud gets to tell his version of events with panache * Spectator *
The painter emerges as fully three-dimensional in this second part of Feavers biography * THE TIMES, Best paperbacks of 2022 *
William Feaver is a painter, curator, broadcaster and author, and was the art critic for the Observer for 23 years. He is on the Academic Board of the Royal Drawing School where he also currently tutors. He has produced films with Jake Auerbach, including Lucian Freud Portraits. He curated Lucian Freud's 2002 retrospective at Tate Britain, the Museo Correr and in Barcelona and Los Angeles, and the 2012 exhibition of Freud's drawings in London and New York. He also curated the 2002 John Constable exhibition at the Grand Palais with Freud. The Lives of Lucian Freud: Youth was shortlisted for the Baillie Gifford Prize and the Apollo Awards. He lives in London.