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Last Call at the Hotel Imperial: The Reporters Who Took on a World at War
By (Author) Deborah Cohen
HarperCollins Publishers
William Collins
18th August 2023
16th March 2023
United Kingdom
General
Non Fiction
Social and cultural history
070.922
Paperback
592
Width 129mm, Height 198mm, Spine 37mm
420g
Effervescent New Yorker Best Books Of 2022 So Far
Bursts with colour and incident FT Best Books of Summer
Read this prize-winning historians immersive ( New York Times) account of the famous writers who, in the run-up to World War II, took on dictators and rewrote the rules of modern journalism
They were an astonishing group: glamorous, gutsy, and irreverent to the bone. As cub reporters in the 1920s, they roamed across a war-ravaged world, sometimes perched atop mules on wooden saddles, sometimes gliding through countries in the splendour of a first-class sleeper car. While empires collapsed and fledgling democracies faltered, they chased deposed empresses, international financiers and Balkan gunrunners, then knocked back doubles late into the night.
Last Call at the Hotel Imperial is the extraordinary story of John Gunther, H.R. Knickerbocker, Vincent Sheean, and Dorothy Thompson: a close-knit band of wildly famous American reporters who, in the run-up to World War II, took on dictators and rewrote the rules of modern journalism.
In those tumultuous years, they landed exclusive interviews with Hitler, Franco and Mussolini who sought to persuade them of fascisms inevitable triumph. Nehru and Gandhi also courted them, seeking American allies against British imperialism. Churchill saw them as his best shot at convincing a reluctant America to join the war against Hitler.
They committed themselves to the cause of freedom: fiercely and with all its hazards. They argued about love, war, sex, death and everything in between, and they wrote it all down. The fault lines that ran through a crumbling world, they would find, ran through their own marriages and friendships, too.
Told with the immediacy of a conversation overheard, this revelatory book captures how the global upheavals of the twentieth century felt to live through up close.
High-speed, four-lane storytelling Cohens all-action narrative bursts with colour and incident
Financial Times
A rivetingly raw account
Spectator
As effervescent, for more than four hundred pages, as its winsome and hyperactive characters
New Yorker
Ambitious a distressing, immersive recounting of how denial, passivity and pacification aided the rise of authoritarian regimes
New York Times
Today the war news is available around the clock on TV screens, in print, and on the internet. Back then the best source of news was an intrepid band of young American newspaper correspondents prodigious research and sparkling prose. The book is a model of its kind
Wall Street Journal
Giddy with the tumultuous drama of the era the rollicking group biography of a colourful cabal of American war reporters in the 1920s and 30s who landed seminal interviews with dictators and revolutionaries alike Marina Hyde, Favourite Reads of 2022
Sheer brilliance of writing and storytelling . . . entwining collective biography with the urgency of journalisms interwar critiques to produce a riveting and deeply thought-provoking read Charlotte Elkins
A fresh, fast-paced history of the twentieth-centurys most defining events through the eyes of the foreign correspondents who dashed off to cover them A riveting narrative that unites public and private affairs with rare fluency and power
Maya Jasanoff, author of The Dawn Watch
Beautifully written A fascinating reminder of the days when first rate correspondents had not just access, time and money but real influence over world affairs
Caroline Moorehead, author of Martha Gellhorn: A Life
Brilliantly conceived, beautifully written, this is a daring new history of the world between the wars Unforgettable
Adam Tooze, author of Shutdown
Deborah Cohen is Professor of Humanities and Professor of History at Northwestern University. She is the author of three books including The War Come Home, Household Gods and Family Secrets, for which she won the Forkosch Prize and the Stansky Prize.