Madame Tussaud: and the History of Waxworks
By (Author) Pamela Pilbeam
Bloomsbury Publishing PLC
Hambledon Continuum
15th August 2006
United Kingdom
General
Non Fiction
Carvings, masks, reliefs
Museology and heritage studies
Carving and modelling, moulding and casting
History: specific events and topics
736.93092
Paperback
288
Width 156mm, Height 234mm
490g
The success of Madame Tussaud's, from its beginnings in Paris before the French Revolution to its prolonged fame as a popular tourist attraction in London, bears out the fascination of waxworks. Yet Madame Tussaud was by no means the inventor of wax figures or their only exhibitor. Wax heads and models had been used since Roman times and were used for saints' statues by the Catholic Church and for anatomical teaching. There were also many rival shows, often travelling from town to town, as Tussaud's did for its first thirty years in England. Pamela Pilbeam sees Madame Tussaud herself and her exhibition as part of the wider history of wax modelling and of popular entertainment. Tussaud's catered for the public's fascination with monarchy, whether Henry VIII and his wives or Queen Victoria, as well as for their love of history, acting as an accessible and enjoyable museum (but also providing the perennial fascination of the Chamber of Horrors.)
PAMELA PILBEAM is Reader in Modern European History at Royal Holloway and Bedfore New College, University of London, UK.