Stendhal
By (Author) Francesco Manzini
Reaktion Books
Reaktion Books
10th September 2019
United Kingdom
General
Non Fiction
Literary studies: fiction, novelists and prose writers
Literary studies: c 1800 to c 1900
823.7
208
Width 130mm, Height 200mm
This is a book about the life and work of a singular writer, known for his biographies and travel writing but most famous for his novels The Red and the Black and the Charterhouse of Parma.
As a child, Stendhal witnessed the unfolding of the French Revolution; as a young man, he served Napoleon first as a soldier and then as an administrator; and, as a middle-aged man, he made it his task not to pursue his career, but instead to take as much paid leave as possible in order to be free and to be happy, and to write. Stendhal's works often take the form of conversations with his readers - the 'Happy Few'as he called them - about the things that matter most. He once claimed that he spent the majority of his life `carefully considering five or six main ideas'. This book shows what those main ideas were, why they mattered to Stendhal, and why they continue to matter to his readers.
In his wonderful new biography of the French author, Francesco Manzini describes the paradox of Stendhals active selection of his readership as he flatters those of us dedicated readers (the happy few) and confounds the rest by writing in a sort of code . . . Whether you are already a devoted Stendhalian or even a sceptical reader wary of dead European males, this book is a must-read as it challenges us to confront an original thinker in all his quirks and obsessions. A delightful read, full of useful illustrations, Manzinis Stendhal, we can hope, may yet crystallize a new era in beylisme and tempt readers and scholars alike to re-engage with Stendhals rich and idiosyncratic body of work. * Journal of European Studies *
It is hard . . . to think of anyone better placed than Manzini to write a critical biography of Stendhal . . . Manzini has an unusually deep and comprehensive knowledge of his subject, making him one of the leading contemporary scholars of the author . . . This book is what happens when someone is both supremely in control of and personally invested in his subject matter. It is a pleasure to spend time in the company of a work that is so irreverently and wittily written, and that takes the reader into its confidence so readily and warmly. Everyone who teaches Stendhal, and everyone who has ever loved his work, should own a copy. * Modern Language Review *
Manzini raises several interesting questions about the possibility of complete sincerity between two people . . . Well-written . . . The books greatest value lies . . . in the many perceptive remarks about Stendhals writings, both the well known and the less studied. Recommended. * Choice *
This is an enjoyable biography that succeeds in demonstrating all of the complexities of Stendhal and the psychological depths of his characters and plots. Anyone familiar with Stendhals prose will enjoy Manzinis humor and vivacity, and will especially appreciate his thoughtful approach to writing the biography according to how Stendhal might want to read it . . . Manzini is to be applauded for providing compelling evidence as to why Stendhal remains relevant in our present. Like a good friend, he shows us how reading Stendhal is a way to acknowledge and absorb different perspectives, which is certainly an appropriate or even
necessary exercise in our 21st-century polarized political and cultural landscape.
Francesco Manzini is a Research Fellow and Tutor in French at Oriel College, Oxford. He is the author of Stendhals Parallel Lives (2004) and The Fevered Novel from Balzac to Bernanos (2011).