Thackeray: Prodigal Genius
By (Author) Professor John Carey
Faber & Faber
Faber & Faber
17th July 2008
Main
United Kingdom
Paperback
208
Width 135mm, Height 216mm, Spine 15mm
260g
A new approach to Thackeray. Although this study embraces all his work, it switches attention from his late novels, and bases the case for his imaginative vitality on the multifarious material reviews, travel books, burlesques, Punch articles that he turned out, mostly under severe financial stress, at the start of his writing career. Here was the breeding ground of Vanity Fair; here we find the subversive Thackeray, foe of humbug and high art, waylaying snobbery and the cant of social reformers with bravura and buffoonery the Thackeray who, in Trollopes words, laughed, and ate, and drank, and threw his pearls about with miraculous profusion. In portraying the range and intensity of Thackerays imagination, topics singled out include: light and painting; ballet dancers; pantomime; haute cuisine; times ruins; and the rainbow realm of commerce. The picture of Thackeray, as man and artist, that emerges, is fresh and challenging.
John Carey is Emeritus Merton Professor of English at Oxford University, a distinguished critic, reviewer and broadcaster, and the author of many books, including studies of Donne, Dickens and Thackeray. His guide to twentieth century literature, Pure Pleasure, was described by James Wood in the London Review of Books as 'likeable, wise and often right . . . One feels an attractive sense of partisanship in Carey's writing, an alliance with the ordinary, the plain spoken, the unlettered, the sympathetic and the humane. Carey writes with an Orwellian attention to decency'. His celebrated polemic What Good are the Arts provoked much debate and discussion in 2005. He has been a regular critic on BBC2's Newsnight Review, and is also the editor of the best-selling anthologies The Faber Book of Reportage, The Faber Book of Science and The Faber Book of Utopias.