Taking A Long Look: Essays on Culture, Literature, and Feminism in Our Time

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Description

For nearly fifty years, Vivian Gornicks essays, written with her characteristic clarity of perception and vibrant prose, have explored feminism and writing, literature and culture, politics and personal experience. Drawing writing from the course of her career, All That is Given illuminates one of the driving themes behind Gornicks work: that the painful process of understanding one's self is what binds us to the larger world. In these essays, Gornick explores the lives and literature of Alfred Kazin, Mary McCarthy, Diana Trilling, Philip Roth, Joan Didion, and Herman Melville; the cultural impact of Silent Spring and Uncle Toms Cabin; and the characters you might only find in a New York barber shop or midtown bus terminal. Even more, All That Is Given brings back into print her incendiary essays, first published in the Village Voice, championing the emergence of the womens liberation movement of the 1970s. Alternately crackling with urgency or lucid with insight, the essays in All That Is Given demonstrate one of Americas most beloved critics at her best.

Reviews

Gornick's language is so fresh and so blunt; it's a quintessentially American voice, and a beautiful one. -- Dwight Garner * New York Times *
She deserves as much credit as any writer alive for codifying the current form of the personal essay -- Nora Caplan-Bricker * The Cut, New York Magazine *
She presents her interview subjects like characters in literature, as the protagonists of their own experience, and, for that reason, the book is not simply documentary but a work of literature, too, rich, moving, and contradictory. - -- Alexandra Schwartz * The New Yorker *
Her unrepentant belief in strong feeling as the heartbeat of any political approach to the world explains why, though many good histories of American communism have appeared since Romance, none have captured, elevated, and lit up the experience in quite the same way. -- Lana Dee Povitz * Los Angeles Review of Books *
Written with her usual cogency, verve, and elegance -- George Scialabba * Boston Review *
Vivian Gornick is more than a formidable intelligence, she's an entire sensibility. The essays collected here show how a mind shapes and becomes itself in engagement with the writers, thinkers, social facts and theories of her many days. The voice, at once her own and the expression of an entire culture-New York, working class, feminist, Jewish, both open-minded and skeptical-is a gift to be handed down from one generation to the next. You're holding that voice in your hands. -- Marco Roth, author of The Scientists
We all talk the talk about public intellectuals nowadays. Vivian Gornick walks the walk. The essays in Taking a Long Look could not be more direct, more authoritative, more alive with the pleasures of discovery or alert to the ambiguities of argument. Whether writing literary or political criticism, memoir, or feminist polemic, her mastery is assured. -- George Scialabba, author of How to Be Depressed
[Taking a Long Look] is illuminating and a welcome addition to the astute critic's oeuvre. * Publishers Weekly *
The lasting value of her work lies in her commitment to the question of what it means to feel "expressive": to experience the feeling that tells a person "not approximately, but precisely" who they are. -- Dayna Tortorici * The New York Review of Books *
Vivian Gornick is one of the most important essayists of all time. Whether writing on the self, feminism, isolation or politics, she is urgent, sharp-eyed and vital. A superb collection. -- Sinad Gleeson, author of Constellations
An engaging collection of sharp, lively essays. * Kirkus Reviews *
Taking A Long Look is a magisterial volume of essays which span fifty years of cultural and feminist interrogation. -- Lauren LeBlanc * Observer *
An exhilarating trip. -- Elodie Rose Barnes * Lucy Writers *
Gornick's work is frequently an examination of the seams of history and her unflinching focus shows how things might have been shaped, and perhaps still could be. * Morning Star *
Incisive * New York Times *
To read Gornick is to firstly fall in love with the act of reading ... The closeness of her reading resembles an archivist collecting items to store, cataloguing little details invisible to others ... In Gornick's hands, everything has a story to tell. -- Barathi Nakkeeran * Chicago Review of Books *
In having another occasion to consider Gornick, there are more opportunities to celebrate what makes her writing so distinctly her own-she is the rare writer who always wants to find, in a chorus, a voice. -- Haley Mlotek * Hazlitt *
Vivian Gornick's brilliant half-century writing career can't be captured in a single essay or volume. To engage with her writing is to be left wanting more of her writing. -- Liza Featherstone * Jacobin *
Reading Vivian Gornick often feels like watching someone paint: you're not sure, at first, what it's going to be, but you're happy to follow her brushstrokes as the picture emerges ... Gornick repeatedly goes further, looks longer, risks more. -- Claire Lowdon * Times Literary Supplement *
Taking a Long Look [shows] Vivian Gornick's consistency as a searing writer and canny thinker. -- Nell Beram * Shelf Awareness *
Captivating. Through Gornick, we observe and understand the undertow of politics in an individual's everyday life; we glimpse pain, loneliness and hopefulness. -- Lynn Enright * Irish Times *

Author Bio

Vivian Gornick is a writer and critic whose work has received two National Book Critics Circle Award nominations and been collected in The Best American Essays 2014. Gornick was a legendary writer for Village Voice, chronicling the emergence of the feminist movement in the 1970s, and a respected literary critic. Her works include the memoirs Fierce Attachmentsranked the best memoir of the last fifty years by the New York TimesThe Odd Woman and the City, and Unfinished Business, as well as the classic text on writing, The Situation and the Story.