Room to Dream

(Paperback)

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Description

In this memoir, David Lynch, co-creator of Twin Peaks and writer and director of groundbreaking films like Eraserhead, The Elephant Man, Blue Velvet and Mulholland Drive, opens up about a lifetime of extraordinary creativity, the friendships he has made along the way and the struggles he has facedsometimes successful, sometimes notto bring his projects to fruition.

Part memoir, part biography, Room to Dream interweaves Lynchs own reflections on his life with the story of those times, as told by Kristine McKenna, drawing from extensive and explosive interviews with ninety of Lynchs friends, family members, actors, agents, musicians and collaborators. Lynch responds to each recollection and reveals the inner story of the life behind the art.

Reviews

This enigmatic yet plainspoken artist has told his story innumerable times, most recently in the documentary David Lynch: The Art Life, but I never tire of hearing of the strange path that took him from an idyllic 1950s Midwestern childhood, to a decaying late 60s Philadelphia, to the heights of Hollywood. * Publishers Weekly, Staff Picks Summer 2018 *
`Fascinating insights into the directors process. * New York Times *
`Lynch has stories to spare and it may be that this is the closest most of us get to spending time in his company...The book is both salve and distraction. All but essential for Lynch fans. * Bookmunch *
`A tantalising hybrid of biography and autobiography Film buffs will delight in this compelling and illuminating memoir...Lynch casts aside his reticence to discuss his life and films in this wildly enjoyable, massive and bracingly candid memoir. * Shelf Awareness *
`Offers countless new stories, even for Lynch fanaticsAll is told with Lynchs considerable charm. * Australian Financial Review *
`Journalist Kristine McKenna maps a rich biography derived from extensive interviews[and] Lynch jumps in second. This two-pronged approach creates an accurate timeline and intimate self-portrait, but its what happens in the space between thats special: a man engaging not with his own mythology, but rather his own personhood. * VICE *
`A sunny, holistic portrait of a corn-fed American dreamer who simply likes to show his nightmares to the world. Lynch emerges from these pages as principled, flightyHes constantly chasing the next big idea. * Guardian *
`Room to Dream is described as part--memoir, part-biography and this duality proves to be extraordinarily productiveThis enlightening and exhaustive book should be an essential way of discovering more about [Lynch] and his world. * Australian *
`Insightful, well-researchedThe book abounds in great stories and terrific movie trivia that will sate Lynch fans for years to come. * Kirkus Reviews *
`If you expected a David Lynch biography to be just like any other biography, you've never seen a David Lynch movieFascinating. * New York Times *
`Lynch is the master of the perverse, the unsettling and the plain bonkers. * Sunday Times *
`Captivating...Gives the reader a panoramic insight into Lynch's impressive oeuvre, with sufficient time left to explore Lynch's childhood and coming of age. * Irish Independent on Sunday *
`Intimate and honestMcKennas interviewees unfailingly describe Lynch's charisma and warmth, and his methodical but instinctive dedication to craft. * NPR *
`A strikingly multidimensional portrait of the artist[An] incandescently detailed and complexly enlightening chronicle of a fervent, uncompromising life devoted to pure creativity. * Booklist *
`Reassuringly unconventionalEngrossing...Lynch writes like he speaks. He's disarmingly direct, cheerfully profane and prone to bursts of giddy enthusiasm. * Big Issue *
`What makes this book endearing is its chatty, calm...anti-Hollywood attitudeand matter-of-fact defiance of reality. * San Francisco Chronicle *
`The book doesnt give us one focused view of Lynch, but a double vision, as though two similar but not quite exact portraits of the man have been projected onto one anotherThere is value, joy, and beauty in staying with Lynch and his cohorts for these 500-plus pages. * Los Angeles Times *
`An intimate, humanising self-portrait...This wonderful new book is the most comprehensive overview of the filmmakers life and career to date. * Little White Lies *
`A unique reading experience; more experimental novel than straight up biography. Which is most welcome and entirely appropriate...An endlessly fascinating work that invites multiple readings. * Future of the Force *
`Traditional and comprehensive on one side while whimsical and irreverent on the other, Room to Dream manages to have it both ways...[A]n enthusiastic, contagious tribute to creativity itself. * Brag *
`[A] memorable portrait of one of cinemas great auteurs...It provides a remarkable insight into Lynchs intense commitment to the art life. * Guardian *
`A fascinating look into an endlessly imaginative and alarming man. * Otago Daily Times *
'Fresh from near-universal praise for his Twin Peaks follow-up, visionary director David Lynch teams ups with Kristine McKenna to deliver a part memoir, part biography incorporating interviews with friends and contemporaries. Giving us an in-depth look into his creative process, Lynch reveals the inner story of the life behind the art. * The Week UK *
`Eccentric, addictive and inspiring. * Irish Times, Best Books of 2018 *

Author Bio

David Lynch advanced to the front ranks of international cinema in 1977 with the release of his first film, the startlingly original Eraserhead. Since then, Lynch has been nominated for three Best Director Academy Awards, for The Elephant Man, Blue Velvet and Mulholland Drive; awarded the Palme dOr, for Wild at Heart; and established himself as an artist of tremendous range and wit. In 1990, Twin Peaks mania swept the world when his groundbreaking television series premiered. A new season of Twin Peaks aired in 2017 to widespread acclaim.

Kristine McKenna is a widely published critic and journalist who wrote for the Los Angeles Times from 1977 to 1998. Her profiles and criticism have appeared in Artforum, the New York Times, Artnews, Vanity Fair, the Washington Post and Rolling Stone.