Beckett and Nothing: Trying to Understand Beckett

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Beckett's reception was characterised in its early stages by a sustained attention to nothing as a philosophical concept. Theodor Adorno, however, was quick to argue that Beckett's plays resisted - unlike Sartre's - having their nothing transformed into something. This Beckettian nothing, moreover, is often invested with the aura of the genius, eit

Author Bio

Daniela Caselli is Senior Lecturer in Twentieth-Century Literature and Culture in the School of Arts, Histories, and Cultures at the University of Manchester