Marketing Chinese Children's Books: Paratext and the Politics of Authorship
(Hardback)
Publishing Details
Marketing Chinese Children's Books: Paratext and the Politics of Authorship
By (Author) Dr Frances Weightman
Bloomsbury Publishing PLC
Bloomsbury Academic
11th December 2025
United Kingdom
Classifications
Professional and Scholarly
Non Fiction
Publishing and book trade
Physical Properties
Hardback
224
Width 156mm, Height 234mm
Description
An exploration of the marketing, presentation and construction of popular Chinese children's authors for their youthful audience, parents and teachers, Marketing Chinese Children's Books surveys the internal and international dissemination of childrens books and of international influences in the marketing of childrens literature.
Focusing on the paratextual elements of contemporary Chinese literature written for children such as author photographs, this book reveals the political constraints on the position of popular children's author in the People's Republic of China after the Cultural Revolution.
Taking the publications of Cao Wenxuan (the first Chinese recipient of the Hans Christian Anderson Award), Yang Hongying, Shen Shixi and Gerelchimeg Black Crane as case studies, Frances Weightman considers how the marketing of these authors presents them as academic and political authorities to be emulated and trusted, how they are demonstrative of the commercialism in children's literature and what they expose about the different ways in which popular authors are promoted based on their gender, nationality and ethnicity. Also surveying the uses of animals in Chinese literature and the issues relating to language and translation when these works are promoted throughout the West, this is a timely study of the construct of authorship coinciding with the rapid expansion of children's literature publishing in China and its reception on the world stage.
Author Bio
Frances Weightman is Associate Professor of Chinese Studies at the University of Leeds, UK. She is founder and Director of the Leeds Centre for New Chinese Writing. She has written numerous book chapters and journal articles and is author of The Chinese Play: Festivals, Games and Leisure (2002), The Queest for the Childlike in Seventeenth-Century Chinese Fiction: Fantasy, Naivety and Folly (2008) and (with Gao Wanlong and Wang Aiqin) A Handbook of Chinese Cultural Terms (2012)
