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Inventions of Nemesis: Utopia, Indignation, and Justice

(Hardback)

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Publishing Details

Full Title:

Inventions of Nemesis: Utopia, Indignation, and Justice

Contributors:

By (Author) Douglas Mao

ISBN:

9780691212302

Publisher:

Princeton University Press

Imprint:

Princeton University Press

Publication Date:

18th January 2021

Country:

United States

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Political ideologies and movements

Dewey:

335.02

Physical Properties

Physical Format:

Hardback

Number of Pages:

296

Dimensions:

Width 156mm, Height 235mm

Description

A wide-ranging reevaluation of utopian literature and philosophy, from Plato to Chang-Rae Lee Examining literary and philosophical writing about ideal societies from Greek antiquity to the present, Inventions of Nemesis offers a striking new take on utopia's fundamental project. Noting that utopian imagining has often been propelled by an ang

Reviews

"Inventions of Nemesis is undoubtedly an extremely interesting book."---Seamus Flaherty, Marx and Philosophy Review of Books
"Readers of all stripes will appreciate Mao's consistent attention to context and to the parallels among old favorites and more recent works. This is a valuable addition to the conversation on Utopias." * Choice Reviews *
"A brilliant, erudite, and transformative interpretation of utopia as an exercise in justice. . . . Its arguments will influence scholars working in utopian studies, early modern and modern literatures, global justice theories, and migration studies."---Greg Forter, Modernism/modernity
"Douglas Maos erudite, keen-eyed, and deeply rewarding volume mounts a subtle polemic against how the discipline understands itself, and it does so by adding to its options for understanding what ethics is."---Bruce Robbins, Novel

Author Bio

Douglas Mao is Russ Family Professor in the Humanities at Johns Hopkins University. He is the author of Fateful Beauty: Aesthetic Environments, Juvenile Development, and Literature, 18601960 and Solid Objects: Modernism and the Test of Production (both Princeton).

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