Hari Kunzru
By (Author) Kristian Shaw
Edited by Sara Upstone
Manchester University Press
Manchester University Press
15th May 2023
United Kingdom
General
Non Fiction
Literary studies: c 1900 to c 2000
823.92
Hardback
232
Width 138mm, Height 216mm, Spine 14mm
413g
This book is the first edited collection to focus on the work of contemporary author Hari Kunzru. It contains major new essays on each of his novels The Impressionist, Transmission, My Revolutions, Gods Without Men, White Tears and Red Pill as well as his short fiction and non-fiction writings. The collection situates Kunzrus work within current debates regarding postmodernism, postcolonialism, and post-postmodernism, and examines how Kunzrus work is central to major thematic concerns of contemporary writing including whiteness, national identity, Britishness, cosmopolitanism, music, space, memory, art practice, trauma, Brexit, immigration, covid-19, and populist politics. The book engages with current debates regarding the politics of publishing of ethnic writers, examining how Kunzru has managed to shape a career in resistance of narrow labelling where many other writers have struggled to achieve long-term recognition.
Kristian Shaw is Associate Professor in English Literature at the University of Lincoln
Sara Upstone is Professor of Contemporary Literature and Faculty Director of Postgraduate Research at Kingston School of Art, Kingston University