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Love and Russian Literature: From Benjamin to Woolf

(Hardback)


Publishing Details

Full Title:

Love and Russian Literature: From Benjamin to Woolf

Contributors:

By (Author) Ira B. Nadel

ISBN:

9781350115019

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic

Publication Date:

25th January 2024

Country:

United Kingdom

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Literary studies: c 1800 to c 1900
Literary studies: c 1900 to c 2000

Dewey:

820.99410904

Physical Properties

Physical Format:

Hardback

Number of Pages:

264

Dimensions:

Width 156mm, Height 234mm

Description

Russia haunted the British cultural imagination throughout the 20th century whether as a romantic source of literary and political inspiration or as a warning of creeping totalitarianism. In this new book, Ira B. Nadel, charts the story of that influence through the work of some of the key figures in British literature across the century, including Joseph Conrad, Virginia Woolf, H.G. Wells, Samuel Beckett and Tom Stoppard. Framed by the story of two romantic encounters, between Walter Benjamin and the actress Asja Lacis in Moscow in 1926 and between Isaiah Berlin and Anna Akhmatova in 1945, Love and Russian Literature casts a vivid new light on the ways in which responses to Russia shaped the history of British modernism.

Reviews

To paraphrase James Joyce, this is a book about how love loves to love Russian love, or how prominent Anglo-American cultural figures in the first half of the 20th century got swept away by human and literary manifestations of Russianness. * Galya Diment, Professor of Slavic Languages and Literatures, University of Washington, USA *

Author Bio

Ira B. Nadel is UBC Distinguised University Scholar at the University of British Columbia, Canada. He is a Fellow of the Royal Society of Canada and a prolific critic and biographer whose previous publications include David Mamet: A Life in the Theatre (Methuen Drama, 2008) and Modernism's Second Act (2013)

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