Epic Ambitions in Modern Times: From Paradise Lost to the New Millennium

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Epic Ambitions in Modern Times explores how artists in varied genres and media have aimed for, in Miltons phrase, things unattempted yet in epic creation. Starting with the last books of Paradise Lostas a farewell to the ancient tradition of epic and extending to an assessment of four twenty-first-century women writers retelling canonical epics in the voices of marginalized characters, the books intervening chapters consider epic in the forms of an epistolary novel, a work of history, a poetic autobiography, an opera, a silent film, a series of paintings, two literary fantasies, three poems set in the future and a play.

Reviews

A brilliant re-thinking and re-engagement with the epic and its transformations, Epic Ambitions in Modern Times: From Paradise Lost to the New Millennium is rich and capacious. Bursting with marvelous surprises and witty analyses, it is theoretically informed and historically adept. Questioning the death of the epic after Milton, Robert Crossley embarks on a lively literary odyssey across centuries, continents, and genres to trace an ever-transforming tradition of epic making in poetry, prose, visual art, and popular culture. He makes visible, luminous, and inevitable the ambitions of a panoply of writers and artists to craft and create forms of epics, but he rewards the reader by maintaining a persuasive focus on tangible, carefully-honed illustrations in modern formats and incarnations, such as Tony Kushners Angels in America, Jacob Lawrences The Great Migration, and Ursula Le Guins Lavinia. . - Thadious M. Davis, Professor Emerita of English, University of Pennsylvania, USA.

"Since literary theory declared the end of grand narratives a generation ago, a major gap has opened up in our critical understanding of epic, and in our ability to recognize and appreciate the extraordinary return of the epic sensibility in the popular imagination. Robert Crossleys erudite but genial and accessible criticism splendidly repairs the deficiency and in the process promises a new opening and a new audience for literary studies in general. Frederick Turner, Professor Emeritus Literature and Creative Writing, University of Texas , USA.

Paradise Lost is the crucial text for the narrative undertaken here, it is reinforced by numerous references to Miltons vow to pursueThings unattempted yet in Prose or Rhyme (Paradise Lost I.16), but the fascination with epic continues in ways that Milton could not have imagined. This book is exemplary, and quite impressive. Patrick A. McCarthy, Professor of English, University of Miami, USA.

This book presents genuinely new insights about Paradise Lost. I have no doubt that the readers will profit both in terms of knowledge and the sheer enjoyment of acquiring it. Excellent work, all arounda book that presents a strongly individual perspective grounded in deep reading and wide experience of literature and the world. Michael Bryson, Professor of English, California State University, USA.

Author Bio

Robert Crossley is a literary critic, editor, and biographer and former chair of the English Department at the University of Massachusetts Boston.