Approaches to Emotion in Middle English Literature
By (Author) Carolyne Larrington
Manchester University Press
Manchester University Press
16th April 2024
United Kingdom
General
Non Fiction
Literary theory
Literature: history and criticism
Social and cultural history
European history: medieval period, middle ages
Hardback
320
Width 138mm, Height 216mm, Spine 19mm
535g
Over the last twenty-five years, the history of emotion field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature in particular secular literature as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past.
The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences those who read them or hear them read or performed
Carolyne Larrington is Professor of Medieval European Literature at the University of Oxford