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Dante's Sacred Poem: Flesh and the Centrality of the Eucharist to The Divine Comedy

(Hardback)

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Publishing Details

Full Title:

Dante's Sacred Poem: Flesh and the Centrality of the Eucharist to The Divine Comedy

Contributors:

By (Author) Dr Sheila J. Nayar

ISBN:

9781441129642

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic USA

Publication Date:

28th August 2014

Country:

United States

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Literary studies: poetry and poets

Dewey:

851.1

Physical Properties

Physical Format:

Hardback

Number of Pages:

256

Dimensions:

Width 156mm, Height 234mm

Weight:

540g

Description

Arguing that the consecrated body in the Eucharist is one of the central metaphors structuring The Divine Comedy, this book is the first comprehensive exploration of the theme of transubstantiation across Dante's epic poem. Drawing attention first to the historical and theological tensions inherent in ideas of transubstantiation that rippled through Western culture up to the early fourteenth century, Sheila Nayar engages in a Eucharistic reading of both the "flesh" allusions and "metamorphosis" motifs that thread through the entirety of Dante's poem. From the cannibalistic resonances of the Ugolino episode in the Inferno to the Corpus Christi-like procession seminal to Purgatory, Nayar demonstrates how these sacrifice- and Host-related metaphors, allusions, and tropes lead directly and intentionally to the Comedy's final vision, that of the Eucharist itself. Arguing that the final revelation in Paradise is analogically "the Bread of Life," Nayar brings to the fore Christ's centrality (as sacrament) to The Divine Comedya reading that is certain to alter current-day thinking about Dante's poem.

Reviews

Nayar fills a remarkable gap in Dante studies. Offering an extended analysis of the Eucharistic themes that extend throughout the Divine Comedy, she argues that one cannot adequately stress the import of [transubstantiation]this corporal intimacy with Christup to, and within, Dantes time. Careful not to overstate her thesis, the author treads cautiously, foregrounding the ambiguities and underscoring the limitations of such readings, never drawing too-sweeping conclusions on crux issues, especially the extent of Dantes own religious convictions. As with any good study of the Comedy, this work illuminates more than the poem, offering new insights on medieval theology, philosophy, and culture, especially evolving notions of the Eucharist and the myriad anxieties and cultural stresses such beliefs evoked and alleviated. Well written, methodically sourced, and carefully argued, the book justifies the conclusion that through its subtle, evanescent, ungraspable presentation of Christ, Dantes poetic vision manages to evoke that physically indiscernible Real Presence which, for the Roman Catholic, transubstantiation begets. Summing Up: Highly recommended. Upper-division undergraduates through faculty. * CHOICE *
[A] valuable and fascinating commentary on the Divine Comedy. * The European Legacy *

Author Bio

Sheila J. Nayar is Associate Professor of English and Communication Studies at Greensboro College, North Carolina, USA.

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