Dante and the Victorians
By (Author) Alison Milbank
Manchester University Press
Manchester University Press
1st October 2009
United Kingdom
Adult Education
820.9008
Paperback
288
Width 156mm, Height 234mm
In this ground-breaking book, Alison Milbank explains why a comprehension of the Victorian reception of Dante is essential for a full understanding of Victorianism as a whole. Her focus on this much-neglected topic allows her to reconfigure the British nineteenth-century understanding of history, nationalism, aesthetics and gender, and their often strange intersections. The account also builds towards a demonstration that the modernist perpetuation of the Dante obsession reveals an equal continuity with many aspects of Victorianism. The book provides not only an authoritative introduction to these important cultural themes, but also a re-reading of the genealogy of literature in the modern period. Instead of the Victorian realism challenged by Modernist symbolism's attempts to transcend linear time, Milbank offers us a contrary, continuous 'Danteism'. For both the Victorians and the Modernists Dante is the first writer to historicise, fictionalise and humanise the eternal role, and he becomes paradoxically the means by which history, secularised fiction and a positivist humanism could be reconnected to a lost transcendent. Dante and the Victorians provides the first comprehensive account of why the reading of Dante was central to nineteenth-century British language and culture. -- .
'Ambitious and compendious in range and with a fearless confidence in summarising complex movements in literary history. One is sometimes awestruck by the extent of Milbank's knowledge and the scope of her reading.' Steve Ellis, University of Birmingham
Alison Milbank is Associate Professor in the School of Humanities at the University of Nottingham