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The Subaltern Ulysses

(Paperback)


Publishing Details

Full Title:

The Subaltern Ulysses

Contributors:

By (Author) Enda Duffy

ISBN:

9780816623297

Publisher:

University of Minnesota Press

Imprint:

University of Minnesota Press

Publication Date:

16th September 1994

Country:

United States

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Literary studies: fiction, novelists and prose writers

Dewey:

823.912

Physical Properties

Physical Format:

Paperback

Number of Pages:

224

Dimensions:

Width 152mm, Height 229mm

Description

The Subaltern Ulysses was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. How might an IRA bomb and James Joyce's Ulysses have anything in common Could this masterpiece of modernism, written at the violent moment of Ireland's national emergence, actually be the first postcolonial novel Exploring the relation of Ulysses to the colony in which it is set, and to the nation being born as the book was written, Enda Duffy uncovers a postcolonial modernism and in so doing traces another unsuspected strain within the one-time critical monolith. In the years between 1914 and 1921, as Joyce was composing his text, Ireland became the first colony of the British Empire to gain its independence in this century after a violent anticolonial war. Duffy juxtaposes Ulysses with documents and photographs from the archives of both empire and insurgency, as well as with recent postcolonial literary texts, to analyze the political unconscious of subversive strategies, twists on class and gender, that render patriarchal colonialist culture unfamiliar. Ulysses, Duffy argues, is actually a guerrilla text, and here he shows how Joyce's novel pinpoints colonial regimes of surveillance, mocks imperial stereotypes of the "native," exposes nationalism and other chauvinistic ideologies of "imagined community" as throwbacks to the colonial ethos, and proposes versions of a postcolonial subject. A significant intervention in the massive "Joyce industry" founded on the rhetoric and aesthetics of high modernism, Duffy's insights show us not only Ulysses, but also the origins of postcolonial textuality, in a startling new way.Enda Duffy is assistant professor of English at the University of California at Santa Barbara.

Author Bio

Enda Duffy is professor of English at the University of California, Santa Barbara.

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