Representing Kink: Fringe Sexuality and Textuality in Literature, Digital Narrative, and Popular Culture
By (Author) Sara K. Howe
Edited by Susan E. Cook
Contributions by Bobby Derie
Contributions by Antonnet Johnson
Contributions by Jane M. Kubiesa
Contributions by Whitney S. May
Contributions by Fe Lorraine Reyes
Contributions by Jonathan A. Rose
Contributions by Sean Shannon
Contributions by Brian Watson
Bloomsbury Publishing PLC
Lexington Books
6th September 2019
United States
Professional and Scholarly
Non Fiction
Media studies
Popular culture
Sex and sexuality, social aspects
823.92
Hardback
194
Width 161mm, Height 236mm, Spine 21mm
472g
Representing Kink raises awareness about nonnormative texts and non-normative erotic practices and desires. It defines kink broadly, encompassing a range of inappropriate texts and practices and understanding it in frequent reference to nonnormative erotic fantasies and experiences. Kink is treated as both a set of practices as well as a category of texts at the nexus of subject and form. In addition to canonical texts that take up erotic and marginalized themes, the collection also studies forms that are themselves fringe and feature kink: taboo literature, self-published erotica, SM narratives, fan fiction, role-playing games, and other disavowed texts. The purpose of this study is to focus attention on the margins of an already marginalized subject, in order to highlight the extent to which nonnormative textuality and eroticism both shape and are shaped by our culture. It sheds light on a category of subjects that is at once mainstream in the form of texts such as Fifty Shades of Grey and yet nevertheless repeatedly disparaged and undertheorized. This book advocates for conversations about kinky texts that transcend dichotomous frameworks of good and bad, and normal and deviant, thinking instead in new, theoretically rigorous and flexible directions.
The chapters in this collection articulate some exceptionally important and profound ideas. The way the authors embrace their subjects as kinked often leads to profound moments of recognition and realization, particularly when they focus on the most troubling sexually explicit material (concerning subjects like rape, incest, and abortion). The wide scope of the volume overall is to be applauded, and demonstrates that kink studies must be open and inclusive, not merely restricted to tiresome analysis of heteronormative-tinged BDSM. -- Jason D. Scott, Arizona State University
Susan E. Cook is associate professor of English at Southern New Hampshire University. Sara K. Howe is associate professor of English and creative writing coordinator at Southern New Hampshire University.