Women Writing Cloth: Migratory Fictions in the American Imaginary
By (Author) Mary Jo Bona
Bloomsbury Publishing PLC
Lexington Books
9th December 2015
United States
Professional and Scholarly
Non Fiction
Gender studies: women and girls
Migration, immigration and emigration
810.99287
Hardback
158
Width 159mm, Height 236mm, Spine 16mm
381g
Women Writing Cloth: Migratory Fictions in the American Imaginary performs a ground-breaking intervention by uncovering the relationship between literary cloth-working women and migration in a range of American novels across centuries. Bona demonstrates how four authors, Nathaniel Hawthorne, Alice Walker, Sandra Cisneros, and Adria Bernardi, innovate on pre-modern stories of weaving women in order to explore the intricate connections between handwork, resourcefulness, and mobility. Refracted through the lens of womens migratory experiences vis--vis cloth-working aesthetics, Women Writing Cloth examines varied aspects of sewingembroidering, quilting, and rebozo-makingas textual signifiers of mobility and preservation. Through authorial innovation, womens handwork constitutes a revolt against a devaluation of cultural heritage and a distrust of the self. Women Writing Cloth argues that literary, cloth-working women inspire paradigmatic shifts in social codes due to portable skills that enabled their survival in the new world. Bona paints a complex picture of women whose migratory experiences taught them how to live within a stigmatizing culture and beneath institutional powers to control their artistry. Fabric designs assume fuller multicultural meaning when textiles cross borders and tell unspeakable stories that expose constraints typifying gender, race, and heritage. The authors examined simulate the artistic creativity of cloth-work by interrogating traditional assumptions about representation, chronology, and spatial boundaries. Women Writing Cloth breaks new ground to reveal the elaborate relationship between cloth-work expertise and womens mobility. Variations of cloth-working women showcase a relationship between subversive artistry and institutional oppressions that compel strategies of resistance, enable survival, and, inspired by migration, construct inventive fabric creations. Women Writing Cloth engages the activity of cloth work as a means of reclamation and subversive expression represented in American literature.
In her new book on the tradition-rich trope of womens needlework, Mary Jo Bona provides original readings of four cloth-expressive novels dealing with migratory cultures of female resistance and creativity. This is an important book and her crazy-quilt expertise is delightfully subversive. -- William Boelhower, Louisiana State University
Women Writing Cloth is a groundbreaking work of impressive scholarship and lucidity.Informed by an extensive command of ethnic literature and theory, migration studies, feminist scholarship and historical perspectives, this book developsrelationships between needlework, verbal and visual art, and storytelling traditions across a broad spectrum of ethnicities and transnational experiences.It is a stunning contribution to our knowledge of women's cultures and expressive forms. It provides a rare combination of a great depth of knowledge and coverage, and the capacity to open up a new dimension of inquiry. This is a brilliant, seminal book. -- Josephine Hendin, New York University
Mary Jo Bona is professor in the Department of Cultural Analysis and Theory at Stony Brook University.