Directing Shakespeare in America: Current Practices

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Description

In this first substantive study of directing Shakespeare in the USA, Charles Ney compares and contrasts directors working at major companies across the country. Because of the complexities of directing Shakespeare for audiences today, a directors methods, values and biases are more readily perceptible in their work on Shakespeare than in more contemporary work. Directors disclose their interpretation of the text, their management of the various stages of production, how they go about supervising rehearsals and share tactics. This book will be useful to students wanting to develop skills, practitioners who want to learn from what other directors are doing, and scholars and students studying production practice and performance.

Reviews

[Ney's] research is impressive and unique. * Times Literary Supplement *
Mr. Ney sets a new standard for the study of directing Shakespeare in the USA, deftly interviewing leaders in the field and opening up the remarkable visions, unique processes and historical research that drives the production of the Bard's work in festivals and theatres nationwide. . . . No doubt, Directing Shakespeare will be a welcome text for classrooms worldwide providing students with the "best practices" of notable directors . . . It's also a great read for seasoned professionals seeking a glimpse into the personalities and process of many of America's most successful directors. * Quarto *
Charles Neys Directing Shakespeare in America: Current Practices is an illuminating and much-needed resource for directors, scholars, students, and Shakespeare aficionados Ney demonstrates a remarkable ability to curate this wealth of wisdom in a way that is compelling and easy to follow The book is engaging as a straight read-through, but its equally useful for the reader that wants to skip ahead and explore concise essays on various topics, such as approaches to table work, or how to navigate tech and previews. These practices are invaluable for directors of Shakespeare, but can be more broadly applied as resources for directing any kind of live theatre Neys book astonishingly avoids privileging one approach over another. This is a study that attempts to truly capture diverse approaches and contextualize them This book is an effective snapshot of an incredibly diverse body of work and a must read for Shakespeare directors, scholars, and enthusiasts. * Journal of American Drama and Theatre *
Ney and his interviewees convey the vitality of performances recreated through the eyes of those who headed them The book records stage practices at a moment in time when some of the boldest directors are relaying their understanding of Shakespeares theatre by scanning its longer history of production. * Methods: A Journal of Acting Pedagogy *
Neys incisive introductions to each chapter cogently frame the emergent patterns of thought vis--vis each topic without eliding their inherent contradictions and complexities and could well stand on their own as a survey of contemporary practice that is both wide-ranging and rich in detail. Political, practical, and aesthetic issues all get a thorough and inclusive treatment bound to stimulate lively discussion in graduate level directing seminars In addition to the immense practical value of its nuts and bolts approach to the entire arc of the directing process the book also provides a kind of meta-analysis of the beliefs and positions beneath the surface of contemporary Shakespearean practice and this is, perhaps, the books most compelling feature Its potent combination of practical wisdom and abstract reflection make it a truly stimulating read for novice and veteran directors alike. * Shakespeare Bulletin *
Directing Shakespeare is as much a tribute to prominent American directors of Shakespeare as a presentation of critical approach to staging Shakespeares plays The book often reads like a roundtable discussion on directing, with Ney deftly leading the discussion Throughout the book, readers will find pragmatic advice, amusing anecdotal examples, humor, and brutal honesty. Beginning directors will find Neys approach especially helpful because they can read the book from cover to cover for guidance through the directing process. It is likely that other directors will turn to the book for valuable insight while they are in the process of directing their own Shakespearean productions It adds valuable insight and specific geographic perspective that is often absent in Elizabethan theatre studies Ney uses the thoughts, reflections, and opinions of this broad group of directors and companies to create a wide-ranging, thoughtful, and inspiring conversation on the directing process and the purpose of theatre. * SDC Journal *
Illuminates the process of bringing Shakespeares plays to life on stage and makes an important contribution to both theatre history and theatre practice Actors will find out what is required of a Shakespearean performer and what it takes to get hired in the first place. Critics and scholars will find a useful context to help them view and analyse the work. I would certainly recommend this book to anyone preparing to work with one of these directors, all of whom remain active in the profession. * Voice and Speech Review *

Author Bio

Charles Ney is a professor and Head of Directing in the Department of Theatre and Dance at Texas State University, USA. He has been artistic director at Manhattan Clearing House Contemporary Performing Arts Center, Idaho Repertory Theatre and Mary Moody Northen Theatre. Other directing credits include New York Citys Working Mans Clothes Theatre, the Kennedy Center, Illinois Shakespeare Festival and Texas Shakespeare Festival.