Available Formats
Disseminating Shakespeare in the Nordic Countries: Shifting Centres and Peripheries in the Nineteenth Century
By (Author) Nely Keinnen
Edited by Per Sivefors
Series edited by Bi-qi Beatrice Lei
Series edited by Dr David Schalkwyk
Series edited by Silvia Bigliazzi
Bloomsbury Publishing PLC
The Arden Shakespeare
24th April 2022
United Kingdom
Tertiary Education
Non Fiction
Theatre studies
Comparative literature
Translation and interpretation
822.33
Hardback
344
Width 129mm, Height 198mm
467g
Charting the early dissemination of Shakespeare in the Nordic countries in the 19th century, this opens up an area of global Shakespeare studies that has received little attention to date. With case studies exploring the earliest translations of Hamlet into Danish; the first translation of Macbeth and the differing translations of Hamlet into Swedish; adaptations into Finnish; Kierkegaards re-working of King Lear, and the reception of the African-American actor Ira Aldridges performances in Stockholm as Othello and Shylock, it will appeal to all those interested in the reception of Shakespeare and its relationship to the political and social conditions. The volume intervenes in the current discussion of global Shakespeare and more recent concepts like rhizome, which challenge the notion of an Anglocentric model of centre versus periphery. It offers a new assessment of these notions, revealing how the dissemination of Shakespeare is determined by a series of local and frequently interlocking centres and peripheries, such as the Finnish relation to Russia or the Norwegian relation with Sweden, rather than a matter of influence from the English Cultural Sphere.
Nely Keinnen is a lecturer in English at the University of Helsinki, Finland, researching the early reception of Shakespeare in Finland. She is on the board of the Nordic Shakespeare Society (NorSS). Per Sivefors is Associate Professor of English Literature at Linnaeus University, Sweden. He has published extensively on early modern literature and culture and is currently working on the early reception of Shakespeare in Scandinavia (1760 1820). He is Chair of the Nordic Shakespeare Society (NorSS).