Eating Shakespeare: Cultural Anthropophagy as Global Methodology
(Hardback)
Available Formats
Publishing Details
Eating Shakespeare: Cultural Anthropophagy as Global Methodology
By (Author) Dr Anne Sophie Refskou
Edited by Dr Marcel Alvaro de Amorim
Edited by Dr Vinicius Mariano de Carvalho
Bloomsbury Publishing PLC
The Arden Shakespeare
16th May 2019
United Kingdom
Classifications
Tertiary Education
Non Fiction
Literary studies: c 1600 to c 1800
822.33
Physical Properties
Hardback
328
Width 129mm, Height 198mm
452g
Description
Eating Shakespeare provides a constructive critical analysis of the issue of Shakespeare and globalization and revisits understandings of interculturalism, otherness, hybridity and cultural (in)authenticity. Featuring scholarly essays as well as interviews and conversation pieces with creatives including Geraldo Carneiro, Fernando Yamamoto, Diana Henderson, Mark Thornton Burnett, Samir Bhamra, Tajpal Rathore, Samran Rathore and Paul Heritage it offers a timely and fruitful discourse between global Shakespearean theory and practice. The volume uniquely establishes and implements a conceptual model inspired by non-European thought, thereby confronting a central concern in the field of Global Shakespeare: the issue of Europe operating as a geographical and cultural centre that still dominates the study of Shakespearean translations and adaptations from a periphery of world-wide localities. With its origins in 20th-century Brazilian modernism, the concept of Cultural Anthropophagy is advanced by the authors as an original methodology within the field currently understood as Global Shakespeare. Through a broad range of examples drawn from theatre, film and education, and from both within Brazil and beyond, the volume offers illuminating perspectives on what Global Shakespeare may mean today.
Reviews
Consistently interesting and excellently articulated Whether one is a Shakespeare scholar, a theatre practitioner, a creative writer, or simply an anthropology enthusiast, this book contains enough nutrients to sustain multiple explorations not only from the alleged periphery of Global Shakespeares but also productions closer to home in the centre of Shakespeare studies. * SKEN Journal of Theatre and Drama Studies *
Author Bio
Anne Sophie Refskou, Research and Education Consultant at HamletScenen, Elsinore, Denmark; Marcel Alvaro de Amorim, Federal Institute of Rio de Janeiro, Brazil and Vinicius Mariano de Carvalho, Kings College London, UK.
